Explore New Jersey

From Bourbon Street to the Garden State: Thaddeus Exposé Brings a Full Mardi Gras Second Line Experience to New Jersey

New Jersey’s winter calendar gets a serious dose of heat, rhythm, and Crescent City soul when Thaddeus Exposé returns to the stage on Saturday, February 7, 2026, at 7:30 p.m. with a high-energy Mardi Gras celebration built to move both hearts and feet. More than a concert, this performance is designed as a living tribute to New Orleans tradition—where brass, swing, vocals, and spontaneous joy collide in a sound that feels just as much like a street parade as it does a polished jazz showcase.

For audiences across the state who follow New Jersey’s thriving live performance scene through Explore New Jersey’s music coverage, this event stands out as a rare opportunity to experience an authentic Second Line–inspired production brought to life by musicians deeply rooted in the culture that created it.

At the center of the evening is Thaddeus Exposé himself—a native of New Orleans whose life and musical journey mirrors the great lineage of jazz artists who carried the sound of the city northward, first through Chicago and eventually into the creative engine of New York. Like so many of the pioneers before him, Exposé has spent his career absorbing, refining, and honoring the traditions of the Big Easy while shaping a voice that belongs firmly to the present.

That heritage becomes the backbone of the band he leads, widely known for transforming concert halls into full-scale Mardi Gras celebrations. His ensemble—often performing under the banner of Thaddeus Exposé and the Gumbo Players—draws directly from the spirit of neighborhood parades, social aid and pleasure clubs, and the deep-rooted communal energy that defines New Orleans music culture.

This New Jersey appearance brings together an all-star lineup of seasoned jazz and soul performers who channel that legacy with technical brilliance and joyful spontaneity. The group features clarinetist Evan Christopher, saxophonist Marty Eigen, trumpeters Wallace Roney Jr. and Steven Paul Pilcher, trombonists Peter Lin and Juanga Lakunza, pianist Bernard Elliott, drummers Gordon Lane and Joe Rizzolo, bassist Thaddeus Exposé, and vocalist Ayana Lowe. While the exact onstage configuration may shift as the night unfolds, the collective sound remains focused on one goal—capturing the unmistakable rhythm, swagger, and emotional warmth of New Orleans music.

What separates this performance from a traditional jazz concert is the way the music is presented. Rather than remaining seated and structured, the show intentionally encourages audience movement, call-and-response moments, and the joyful chaos that defines a true Second Line experience. In New Orleans, the Second Line is not simply a style of rhythm—it is a living cultural tradition, rooted in community, resilience, and celebration. It is the soundtrack of street parades, weddings, memorials, and neighborhood gatherings, where music becomes a shared language between musicians and crowd.

Thaddeus Exposé has built his career around bringing that tradition beyond Louisiana without diluting its meaning. His arrangements reflect the layered musical history of the city—blending early jazz phrasing, traditional brass band energy, Caribbean and African rhythmic influence, blues storytelling, and the joyful theatricality of Mardi Gras.

Vocals play a major role in shaping the emotional arc of the evening, and Ayana Lowe’s presence adds an expressive dimension that bridges classic soul, jazz phrasing, and modern performance sensibilities. Her voice becomes a guiding force throughout the program, weaving together exuberant dance numbers and reflective ballads that honor both celebration and heritage.

Instrumentally, the ensemble is built for dynamic interaction. Clarinet and saxophone lines glide over rolling drum patterns, while trumpet and trombone voices answer each other with bright, punchy phrasing that echoes the sound of street brass bands moving through narrow neighborhood blocks. The piano anchors the harmony, allowing space for improvisation and playful exchanges between players—an essential ingredient in keeping the performance alive and unpredictable.

Exposé’s role as bassist and bandleader quietly shapes the entire production. His playing locks the rhythm section into a groove that drives the music forward without overpowering the ensemble, giving the soloists freedom while maintaining the unmistakable pulse that makes New Orleans music instantly recognizable.

The cultural story behind the performance is just as important as the music itself.

Raised in New Orleans, Thaddeus Exposé grew up surrounded by the traditions of Mardi Gras, second lines, and community-based performance. That upbringing instilled not only a musical vocabulary, but a sense of responsibility—to preserve and share the deeper meaning behind the sound. His later move through Chicago and into New York expanded his musical language, exposing him to modern jazz structures and diverse stylistic influences, but his creative identity has always remained anchored to the rhythms and stories of his hometown.

This upcoming concert reflects that philosophy. It is designed as a musical journey through the neighborhoods, parades, and dance halls of New Orleans—filtered through musicians who understand that tradition as something lived, not studied.

For New Jersey audiences, the evening offers something refreshingly different from conventional winter programming. Rather than subdued recital-style performances, this Mardi Gras celebration invites full participation. It encourages clapping, dancing in the aisles, and—if the moment feels right—joining an impromptu Second Line inside the venue itself.

That spirit of shared experience is what makes this performance especially well-suited to audiences who crave connection as much as technical excellence. Whether you arrive as a longtime jazz enthusiast or simply curious about New Orleans culture, the show provides an accessible entry point into one of America’s most influential musical traditions.

The concert takes place on Saturday, February 7, 2026, at 7:30 p.m. Tickets may be purchased through the box office, and patrons who prefer to order by phone can call 973-971-3706 for assistance. Ticket prices include a non-refundable three-dollar service fee, and, as with any live performance, program and personnel details are subject to change.

In a season when New Jersey stages are often filled with familiar touring acts and tribute productions, Thaddeus Exposé’s Mardi Gras celebration offers something more immersive—a living, breathing cultural event rooted in heritage, community, and joy.

For one winter night, the sound of Nawlins, the pulse of parade drums, and the unmistakable swing of Crescent City brass will travel north and take over a New Jersey stage—inviting everyone in the room to rise, dance, and carry the Second Line spirit home with them.

A Night of Storytelling and Sound on the Shore: Tim Hause Brings His Intimate Folk-Pop Craft to Lizzie Rose Music Room

One of New Jersey’s most beloved small venues is set to host a night built for listeners who value lyrics, vulnerability, and real connection between artist and audience. On Friday, February 6, 2026, the Lizzie Rose Music Room will welcome acclaimed Philadelphia singer-songwriter Tim Hause for an evening performance that promises the kind of emotional, stripped-down musical experience that has quietly become the hallmark of this intimate Tuckerton stage.

The show begins at 7:30 p.m., with New Jersey-based act Mindful Melodies opening the night and setting the tone for an evening focused on heartfelt songwriting, acoustic textures, and immersive atmosphere. For fans searching for meaningful live performances rather than arena-scale spectacle, this concert represents exactly why small venues continue to define the soul of the region’s live scene.

The Lizzie Rose Music Room has built its reputation as a listening room in the truest sense of the term. Nestled in Ocean County and widely recognized for its candlelit ambiance, pristine acoustics, and attentive crowds, the venue attracts artists who rely on storytelling and nuance as much as melody. It is a space where subtle arrangements and honest lyrics are not lost in crowd noise or cavernous rooms, but instead become the central focus of the night.

That environment aligns perfectly with Tim Hause’s musical identity.

A longtime fixture of the Philadelphia songwriter circuit, Hause has steadily earned recognition for his emotionally grounded folk-pop style, weaving introspective themes with warm acoustic arrangements and understated production. His songwriting draws heavily from lived experience, often exploring relationships, mental health, personal growth, and the quiet moments that define everyday life. The result is music that resonates deeply with listeners who value authenticity over trend-driven polish.

Over the years, Hause has developed a loyal following through both his studio recordings and his reputation as a compelling live performer. On stage, he blends gentle humor, candid storytelling, and thoughtful pacing between songs, creating a relaxed and conversational atmosphere that feels more like a shared gathering than a conventional concert. That connection is precisely what makes his upcoming appearance at Lizzie Rose Music Room so well suited for the venue’s intimate design.

For New Jersey music fans, this performance offers more than a single night of entertainment. It reflects the ongoing strength of the regional singer-songwriter community that thrives just outside the national spotlight but continues to produce artists with depth, professionalism, and creative integrity. Concerts like this remain a cornerstone of the state’s live performance ecosystem and continue to anchor the broader local and touring landscape highlighted across Explore New Jersey’s live music coverage.

Opening the evening will be Mindful Melodies, a New Jersey-based project known for its calming acoustic sound and reflective songwriting. Their music emphasizes atmosphere, gentle harmonies, and lyrical optimism, making them an ideal complement to Hause’s emotionally driven set. For early arrivals, the opening performance provides an opportunity to experience another emerging voice in the region’s growing acoustic and folk-influenced scene.

The timing of the show also makes it especially appealing for audiences seeking a meaningful winter escape along the Jersey Shore. February in coastal New Jersey offers a quieter, more personal version of its beach towns—perfect for intimate venues, relaxed evenings, and community-centered performances. A night at Lizzie Rose Music Room often becomes as much about the shared experience of being in the room as it is about the artist on stage.

Hause’s catalog reflects a consistent evolution rather than abrupt stylistic shifts. His recent material leans further into layered acoustic textures and restrained pop sensibilities, allowing lyrical content to remain front and center. Listeners can expect a carefully balanced set that blends earlier fan favorites with newer songs that showcase his continued growth as both a songwriter and performer.

What sets Hause apart in a crowded singer-songwriter field is his ability to translate deeply personal stories into universally relatable moments. His lyrics often center on themes of vulnerability, emotional resilience, and self-reflection, delivered without theatrical excess. Instead, his performances rely on clarity, sincerity, and emotional precision—qualities that thrive in a room designed for listening rather than spectacle.

The Lizzie Rose Music Room, which has hosted an impressive range of touring and regional artists across folk, Americana, blues, and acoustic pop, has become a trusted destination for audiences who value curated programming and artist-forward presentation. Its small capacity allows every seat to feel close to the stage, and its attentive audiences create a respectful environment that encourages artists to take creative risks and share new material.

For fans of songwriter-driven music, the February 6 performance offers a rare opportunity to see Tim Hause in a setting that amplifies everything his work represents: honest expression, musical craftsmanship, and genuine human connection.

As New Jersey continues to assert itself as a vital hub for independent touring artists and grassroots venues, nights like this reinforce the importance of community-based stages in sustaining creative culture across the state. Whether you are a longtime supporter of acoustic and folk music or someone discovering this corner of the live scene for the first time, this show stands as a reminder that some of the most memorable performances happen far from massive theaters and festival fields.

Tim Hause’s appearance at Lizzie Rose Music Room, supported by the reflective sounds of Mindful Melodies, promises an evening where music is not simply heard, but felt—an experience shaped by shared stories, quiet moments, and the unmistakable warmth of live performance in one of New Jersey’s most intimate and respected music spaces.

Fifty Years Loud: Why Cheap Trick’s Relentless Drive Still Defines American Rock—and Why New Jersey Has Always Been Part of the Story

As Cheap Trick moves toward its 50th anniversary milestone, the band’s legacy is no longer just a matter of hit singles, chart placements, or platinum plaques. It has become something far more enduring—a blueprint for how American rock bands survive, evolve, and stay culturally relevant without sacrificing identity. For fans across New Jersey, where live music loyalty runs deep and classic touring acts remain central to the state’s concert culture, Cheap Trick’s longevity is not simply impressive. It feels personal.

Few bands can claim to have built a sound so instantly recognizable that a single chord change, a vocal inflection, or a jagged guitar figure immediately signals who is playing. Cheap Trick’s unique blend of melodic precision, power-pop craftsmanship, and arena-sized guitar punch created a lane that countless artists would later follow. But what truly sets the Rockford, Illinois-born quartet apart is not just how influential they became—it is how stubbornly alive their creative engine has remained.

From the beginning, Cheap Trick was never content to exist inside one musical box. The band’s original lineup—Robin Zander on vocals and rhythm guitar, Rick Nielsen on lead guitar, Tom Petersson on bass, and Bun E. Carlos on drums—approached songwriting with a rare balance of humor, vulnerability, and razor-sharp structure. Their early material married teenage urgency with grown-up musicianship, blending British Invasion melodies, American hard rock muscle, and pop sensibility into a sound that was simultaneously clever and explosive.

That duality became the backbone of Cheap Trick’s rise. When the group formally came together in the mid-1970s and began performing relentlessly throughout the Midwest, their reputation as a live act spread quickly. Early showcases revealed a band that could move seamlessly between aggressive riffs and hook-heavy choruses without ever sounding calculated. That organic tension between bite and beauty would later define their catalog.

Their self-titled debut in 1977 quietly laid the groundwork for what would become one of the most distinctive bodies of work in modern rock history. Though it initially slipped under the mainstream radar, songs such as “He’s a Whore,” “Oh, Candy,” and “Elo Kiddies” became cult favorites among musicians and tastemakers, admired for their fearless structures and sharp lyrical personality. Within months, the band returned with In Color, a record that refined their melodic instincts and opened the door to their first major international breakthrough.

It was in Japan, however, where Cheap Trick’s global identity was truly forged. The explosive response from Japanese audiences during their 1978 concerts at Tokyo’s Nippon Budokan elevated the band into a phenomenon. The resulting live album, recorded in front of deafeningly devoted crowds, became an unexpected cultural earthquake back in the United States. Imports of the album circulated rapidly among American fans before the record label moved to release it domestically, and Cheap Trick at Budokan quickly transformed from a regional success story into a national obsession.

For many listeners, that live album remains the moment Cheap Trick crossed from promising rock band into permanent fixture of American music. The energy, precision, and playful swagger captured on those recordings turned songs like “I Want You to Want Me” into generational anthems and set a new standard for how live rock albums could translate urgency into the living room.

The momentum carried directly into Heaven Tonight, the album that delivered “Surrender,” a song that would become one of the most defining youth anthems of the late twentieth century. Its brilliance lies not only in its sing-along chorus, but in its narrative subtlety—a coming-of-age reflection disguised as a power-pop singalong. Decades later, it still resonates with listeners navigating identity, rebellion, and self-acceptance.

By the time Dream Police arrived, Cheap Trick had expanded its sonic reach without losing its mischievous core. Sweeping arrangements, layered harmonies, and more adventurous production revealed a band comfortable with experimentation, even as their music continued to dominate radio playlists and arena stages. That creative confidence allowed them to avoid the stylistic stagnation that derailed many of their peers.

The early 1980s marked another pivotal chapter. Working with legendary producer George Martin and engineer Geoff Emerick, Cheap Trick pushed further into melodic complexity and studio sophistication. Rather than distancing fans, the evolution strengthened the group’s reputation as musicians willing to challenge themselves and their audience. They were no longer simply riding a sound—they were refining a language.

The late 1980s brought one of the most commercially visible peaks of their career with Lap of Luxury. Anchored by “The Flame,” the band achieved its first number-one single, introducing Cheap Trick to an entirely new generation of listeners while reaffirming their place in mainstream pop culture. Yet even at the height of chart success, the group resisted becoming defined solely by radio metrics. Touring never slowed. Songwriting never stopped.

That constant forward motion became their defining trait. Through the 1990s and into the 2000s, Cheap Trick’s influence quietly expanded across alternative rock, pop-punk, and power-pop revival scenes. Artists spanning multiple generations—from garage revivalists to stadium-filling alternative acts—publicly cited the band as a primary creative reference point. Their ability to balance distortion with melody became a template for bands trying to reconcile aggression with accessibility.

Personnel changes never fractured the group’s identity. When drummer Daxx Nielsen joined the lineup in the 2010s, the transition felt less like a reinvention and more like a continuation of an inherited musical philosophy. The release of Bang, Zoom, Crazy…Hello reaffirmed Cheap Trick’s refusal to age out of relevance. The album felt playful, loud, and unpretentious—a direct extension of the band’s original DNA.

Recognition finally arrived in institutional form when Cheap Trick was inducted into the Rock and Roll Hall of Fame. The honor, while long overdue, simply confirmed what fans had known for decades: this was a band that shaped modern rock songwriting without ever demanding critical permission to do so.

Yet what may be most remarkable is how Cheap Trick has continued to treat recording and touring as equally essential parts of their identity. Their twentieth studio album, In Another World, released more than four decades after their debut, charted impressively and was widely praised for its energy and clarity of vision. Produced with contemporary polish but unmistakably rooted in classic Cheap Trick grit, the album demonstrated that the band remains capable of creating new material that stands comfortably beside their most celebrated work.

For New Jersey fans, Cheap Trick’s story is deeply intertwined with the culture of live performance that defines the state’s concert landscape. From legendary theaters to modern amphitheaters and festival stages, New Jersey audiences have long embraced touring acts that value musicianship, consistency, and genuine connection. The band’s relentless return to the road—often logging well over a hundred performances each year—has made them a familiar and beloved presence for local concertgoers who appreciate authenticity over nostalgia packaging.

That ongoing relationship between touring veterans and New Jersey audiences continues to fuel the state’s broader live entertainment ecosystem, which remains one of the most active in the Northeast. Readers interested in discovering how national and emerging artists continue to shape the local soundscape can explore the evolving New Jersey music scene through Explore New Jersey’s dedicated music coverage.

Approaching their 21st studio album and a global anniversary tour, Cheap Trick stands as a living contradiction to the notion that legacy acts must either reinvent themselves completely or quietly fade into heritage branding. They have done neither. Instead, they have simply kept working—writing, recording, rehearsing, performing, and laughing their way through an industry that has transformed around them.

Perhaps the band’s greatest achievement is not the number of certifications on their walls or the awards listed in their biography. It is the fact that they never allowed success to interrupt curiosity. Five decades in, Cheap Trick still sounds like a band that expects its next song to matter.

For audiences across New Jersey and beyond, that enduring sense of purpose is why Cheap Trick remains more than a legendary name on a marquee. They remain a reminder that real rock and roll—hook-driven, guitar-powered, emotionally honest, and joyfully loud—does not belong to a single era. It belongs to anyone willing to keep showing up, night after night, and playing like it still means everything.

A Farewell Fit for a Legend as Barry Manilow Brings His Final Newark Performance to Prudential Center

Newark is preparing to host one of the most emotionally significant concerts in its modern entertainment history as Barry Manilow returns to the city for a once-only celebration billed as The Last Newark Concert. On Tuesday, April 14, at 7 p.m., the internationally beloved singer, songwriter, and performer will take the stage at Prudential Center for what is being presented as his final live appearance in Newark—a milestone moment for both the artist and the city that has welcomed generations of iconic performers.

For longtime fans and newcomers alike, this evening represents far more than a greatest-hits show. It is the closing chapter of a relationship between a legendary performer and a New Jersey audience that has embraced his music across decades, formats, and cultural shifts. Manilow’s return brings together nostalgia, gratitude, and celebration in one carefully crafted farewell experience.

Audiences can expect a sweeping, emotionally charged setlist that spans the full arc of Manilow’s remarkable career. From the tender vulnerability of “Mandy” and the timeless anthem “I Write the Songs” to the romantic optimism of “Looks Like We Made It” and “Can’t Smile Without You,” the evening is designed to honor the songs that have become woven into the personal soundtracks of millions of lives. Of course, no Manilow performance would be complete without the infectious, theatrical energy of “Copacabana (At the Copa),” a song that continues to ignite audiences and define his unmistakable stage persona.

What makes this Newark appearance especially powerful is its framing as a true farewell. Manilow’s performances have long been known for their warmth and connection, built on an artist-to-audience relationship that feels personal even inside massive arenas. His live shows blend polished orchestration, dynamic lighting, and seamless transitions between ballads and high-energy numbers, but the emotional center of every performance remains his storytelling and sincere connection to the crowd.

Over the course of his career, Barry Manilow has quietly assembled one of the most durable catalogs in popular music history. His songs have transcended radio eras, chart formats, and generational shifts, remaining relevant through film, television, live performance, and cultural memory. His ability to write melodies that linger and lyrics that speak to vulnerability, commitment, and hope has made his work deeply personal for listeners of all ages.

The Last Newark Concert arrives at a moment when large-scale live music events in New Jersey are enjoying renewed national attention. Prudential Center, now firmly established as one of the state’s premier entertainment destinations, continues to attract historic tours, final performances, and legacy artists whose careers have shaped popular culture. Manilow’s farewell appearance joins a growing list of unforgettable nights that have defined the venue’s identity within the broader regional live music scene.

For fans following the ever-expanding concert calendar across the state, this performance stands out as one of the most meaningful dates of the season. Readers looking to explore additional upcoming concerts, touring artists, and major festival moments can discover more highlights through Explore New Jersey’s dedicated music coverage, which continues to spotlight the performers and venues shaping the Garden State’s live entertainment landscape.

From a production standpoint, the show is expected to reflect the refined presentation Manilow has perfected over years of international touring. His band and vocal ensemble remain central to the experience, delivering rich arrangements that allow each song to unfold with clarity and emotional depth. The pacing of his concerts—moving from intimate piano-led moments to full-ensemble showstoppers—creates a narrative flow that mirrors the emotional journey of his career.

The farewell theme also offers fans a rare opportunity to reflect on the extraordinary breadth of Manilow’s legacy. Few artists have maintained such enduring relevance while remaining firmly rooted in the core values of songwriting and performance. His influence stretches well beyond pop radio, inspiring performers, composers, and producers who continue to draw from his melodic sensibility and commitment to emotional authenticity.

Presale access for the show begins Thursday, January 29, from 10 a.m. to 10 p.m. Eastern Time, with general public ticket sales opening Friday, January 30, at 10 a.m. Demand is expected to be exceptionally strong, driven not only by Manilow’s devoted fan base, but by the unmistakable significance of a final Newark appearance.

When Barry Manilow steps onto the Prudential Center stage on April 14, the night will serve as a collective thank-you—an opportunity for fans to celebrate the songs that have marked weddings, graduations, heartbreaks, and lifelong memories. In a city that continues to shape New Jersey’s cultural identity, The Last Newark Concert will stand as a powerful reminder that some voices, and some songs, never truly fade—they simply take their final bow in front of the audiences who loved them most.

A Swamp-Born Sound Returns to New Jersey as Tab Benoit Brings His Soul of the Swamp Tour to The Newton Theatre

On Thursday, July 9, at 8 p.m., one of the most unmistakable voices in modern roots and blues music returns to a New Jersey stage when Tab Benoit brings his Soul of the Swamp Tour 2026 to The Newton Theatre, delivering an evening built on raw musicianship, deep Southern storytelling, and the uncompromising spirit that has defined his career for more than three decades. Tickets for this highly anticipated summer performance go on sale this Friday at 10 a.m., and demand is expected to be strong for what is shaping up to be one of Sussex County’s most significant live music events of the year.

For longtime fans and new listeners alike, Benoit’s return to New Jersey represents far more than a nostalgic tour stop. It is the continuation of a creative resurgence for an artist whose influence has quietly shaped modern blues and Americana while remaining fiercely independent of commercial trends. Known equally for his uncompromising sound and his outspoken commitment to environmental protection in the Louisiana wetlands, Benoit has built a reputation as a musician who allows authenticity to lead every artistic decision.

The Soul of the Swamp Tour reflects that philosophy in its purest form. Benoit performs exactly as he always has—without digital effects, processing, or studio polish. What audiences hear is the unfiltered connection between guitar, amplifier, and performer. It is a stripped-down approach that places every nuance of touch, phrasing, and tone at the center of the experience, allowing the music to breathe in real time. In an era dominated by layered production and digital manipulation, Benoit’s live performances stand out for their honesty and immediacy.

Over the course of a career that includes more than 20 releases, Benoit has become widely respected for a sound that blends swamp blues, Southern soul, and roots-driven rock into something instantly recognizable. His early recordings produced enduring radio staples such as “Nice and Warm” and “Cross the Line,” songs that introduced listeners to a voice often compared to the emotional weight and grit of classic Southern soul legends, while his guitar work earned praise for its individuality and refusal to mimic blues clichés.

That signature voice and style remain firmly intact today. In 2024, Benoit returned with his first new studio recording in more than a decade, releasing I Hear Thunder, an album that marked a confident and deeply personal reemergence. Rather than revisiting past formulas, the record delivered a collection of songs rooted in reflection, resilience, and the lived experience of an artist who has spent years balancing creative life with activism and personal renewal. For many fans, the album confirmed what Benoit’s live audiences have known for years—his artistic evolution is far from finished.

The July 9 performance in Newton will draw heavily from that extensive catalog, weaving newer material into the songs that established his reputation in the 1990s and early 2000s. Setlists on the Soul of the Swamp Tour are built to feel organic rather than scripted, allowing space for extended guitar passages, spontaneous moments between band members, and the emotional pacing that comes only from musicians deeply connected to their material.

Joining Benoit on this tour is Sgt. Splendor, whose supporting set brings an energetic and modern counterpoint to the evening’s roots-driven foundation. The pairing creates a well-rounded night that bridges generations of blues and rock-influenced music, highlighting how the genre continues to expand without losing its emotional core.

The Newton Theatre provides a fitting setting for an artist whose performances thrive on intimacy and connection. The historic venue’s close sightlines and natural acoustics allow Benoit’s guitar tone and vocals to reach the audience without distraction, reinforcing the feeling that each song is being delivered directly rather than filtered through production spectacle. For many concertgoers, it is exactly this kind of environment that transforms a show into a memory.

Benoit’s presence in New Jersey also arrives during a moment of renewed attention on the state’s live performance scene, where theaters and independent venues continue to attract nationally recognized touring artists seeking spaces that value musicianship over scale. Audiences interested in exploring additional concerts, festivals, and artist appearances across the Garden State can discover a wide range of upcoming performances through Explore New Jersey’s music coverage, which highlights how New Jersey’s venues are increasingly becoming essential stops for respected touring artists.

Beyond his work on stage, Benoit’s identity as a wetlands activist has become inseparable from his music. He has long used his platform to advocate for the protection of Louisiana’s rapidly disappearing coastal ecosystems, often speaking openly about the cultural and environmental cost of their loss. That commitment is reflected in both his songwriting and his onstage presence, where the themes of land, heritage, and responsibility quietly run beneath the surface of his performances.

The Soul of the Swamp Tour does not attempt to recreate the past. Instead, it offers a living portrait of an artist who continues to refine his voice, deepen his storytelling, and challenge himself creatively while staying grounded in the traditions that shaped him. Benoit’s guitar style remains unmistakably his own—sharp, expressive, and rhythmically alive—while his vocals carry the emotional weight of experience rather than nostalgia.

When Tab Benoit steps onto the stage at The Newton Theatre on July 9, audiences will not simply be attending a concert. They will be stepping into a living conversation between roots and modern expression, between environmental conscience and personal reflection, and between an artist’s past and the music he continues to create in the present. For New Jersey blues and roots fans, it is an opportunity to experience one of the genre’s most genuine voices in a setting built for exactly the kind of connection his music demands.

From the Jersey Shore to the World Stage, Walter Trout Brings His Most Urgent Tour to The Newton Theatre

Few artists in modern blues-rock have built a career as uncompromising, enduring, and emotionally direct as Walter Trout, and this spring, New Jersey audiences will have the rare opportunity to experience his most powerful work yet when the Sign of the Times Tour arrives at The Newton Theatre on Sunday, April 19 at 7 p.m. Tickets go on sale this Friday at 10 a.m., marking one of the most anticipated live blues events of the season in Sussex County and well beyond.

For longtime fans and new listeners alike, this tour represents more than a standard concert stop. It is the live extension of a new creative chapter for an artist whose career has spanned more than five decades and whose voice has always stood apart in a genre often defined by tradition. Trout’s latest album, Sign of the Times, is a deeply personal, fiercely honest collection of songs shaped by the world unfolding around him. It captures anxiety, resilience, frustration, and hope through blistering guitar work and raw, unfiltered storytelling that feels especially resonant in today’s cultural climate.

Yet what continues to define Walter Trout’s legacy is his refusal to tell audiences what to believe. Throughout his career, he has remained a street-level observer rather than a political messenger, allowing listeners to find their own meaning inside the music. Sign of the Times does not prescribe answers. Instead, it opens space for reflection, catharsis, and emotional release—qualities that have always separated Trout from artists chasing trends or headlines.

The upcoming appearance at The Newton Theatre places this music inside one of northern New Jersey’s most intimate and respected performance venues. Known for its acoustics and close-range sightlines, the historic theatre provides a setting that allows Trout’s playing and songwriting to connect directly with the audience, without spectacle overshadowing substance. For a guitarist celebrated for both precision and emotional intensity, the venue becomes an ideal canvas for extended solos, dynamic shifts, and the quiet moments that make his live shows as powerful as his recordings.

Trout’s career path remains one of the most remarkable stories in contemporary blues and rock. Before establishing himself as a globally recognized solo artist, he sharpened his sound alongside two of the most influential forces in modern blues history—first with Canned Heat and later with John Mayall and the Bluesbreakers. Those years shaped his technical command and deepened his understanding of the blues tradition, but his solo work ultimately defined his identity. Over time, Trout evolved into a songwriter whose material confronts personal struggle, survival, social tension, and the fragile space between despair and hope.

That evolution carries added significance for New Jersey audiences, because Walter Trout’s story is also a local one. He hails from Ocean City, New Jersey, and has long carried his Jersey roots into his international career. For fans across the state, his return to perform on a New Jersey stage represents more than a tour stop—it is a homecoming of one of the region’s most respected musical voices.

The Sign of the Times album has been widely recognized as one of Trout’s most emotionally charged releases, blending hard-edged blues-rock with introspective songwriting that confronts uncertainty and change head-on. Musically, the record showcases his signature combination of muscular riffs, fluid phrasing, and expressive bends, supported by arrangements that leave room for vulnerability as well as power. Lyrically, the songs explore isolation, anger, endurance, and the complicated search for meaning in a world that often feels fractured.

On stage, those themes become even more immediate. Trout’s live performances are known for their intensity and authenticity. He does not dilute his sound or his message for comfort. Instead, he leans into the emotional weight of the material, inviting the audience into the same reflective space that shaped the songs. Longtime concertgoers describe his shows as immersive experiences, where storytelling, improvisation, and personal connection unfold naturally between songs and solos.

The Newton Theatre performance also underscores New Jersey’s growing reputation as a destination for nationally and internationally recognized touring artists in intimate, community-centered venues. From classic blues and roots music to contemporary rock and genre-blending performers, the state’s live music calendar continues to expand in both depth and diversity. Readers exploring upcoming concerts and artist appearances across the state can discover additional performances and festival highlights through Explore New Jersey’s dedicated music coverage, which continues to spotlight the evolving soundscape of the Garden State.

For Walter Trout, the Sign of the Times Tour stands as a reflection of both where he has been and where his music continues to go. After more than half a century as a working musician, he remains creatively restless and emotionally open, refusing to coast on reputation or nostalgia. His songwriting continues to evolve, his guitar playing remains fearless, and his connection to audiences feels as personal as ever.

When the lights go down at The Newton Theatre on April 19, the evening will not simply celebrate a legendary career. It will showcase an artist still responding to the world in real time—through songs that carry the weight of experience, the urgency of the present moment, and the unmistakable voice of one of New Jersey’s own blues-rock icons.

A Winter Blues Takeover Comes to South Orange as a World-Class Festival Returns for Its Most Powerful Edition Yet

On Friday night, February 6, 2026, South Orange becomes the heartbeat of the regional blues scene as the third annual South Orange International Blues Festival: Winter Edition transforms the South Orange Performing Arts Center into a high-voltage celebration of sound, storytelling, and soul. Beginning at 7:30 p.m., this signature winter showcase promises far more than a concert. It delivers a full-spectrum journey through modern and traditional blues, curated with precision and passion by internationally respected bassist, producer, and cultural tastemaker Mike Griot.

In just three years, the Winter Edition of the South Orange International Blues Festival has grown into one of North Jersey’s most anticipated live music experiences, drawing devoted blues fans from across New Jersey and the greater New York City region. Its reputation is built on a simple but powerful idea: bring together exceptional artists who honor the roots of the blues while fearlessly expanding its boundaries. That philosophy has placed the festival firmly within the growing spotlight of New Jersey’s live performance culture highlighted throughout Explore New Jersey’s music coverage, which continues to showcase how the state’s venues are becoming essential platforms for world-class touring and emerging artists alike.

This year’s Winter Edition is designed to feel immersive and emotionally charged from the first note to the final encore. Audiences can expect an evening shaped by deep-pocket grooves, blistering guitar work, powerhouse vocals, and the kind of musical chemistry that only comes from artists who live and breathe the language of the blues. The lineup spans generations, styles, and geographic influence, creating a dynamic flow that moves seamlessly from raw acoustic traditions to electrified, modern blues-rock.

Leading the evening is King Solomon Hicks, one of the most exciting contemporary blues voices to emerge from Harlem’s storied music community. A gifted guitarist, vocalist, and composer, Hicks developed his sound while growing up immersed in a culture shaped by jazz, gospel, and classic blues. His award-winning album Harlem announced him as a major new presence on the national scene, earning industry recognition for its confident songwriting and expressive musicianship. On stage, Hicks blends fluid guitar phrasing with rich, commanding vocals, creating performances that feel both deeply rooted and unmistakably current. His ability to bridge traditional blues structures with jazz and R&B influences gives his live sets a rhythmic complexity that resonates with seasoned blues fans and first-time listeners alike.

Adding a powerful regional voice to the lineup is BLUES People, a New York and New Jersey-based band whose music captures the grit, urgency, and emotional honesty at the heart of modern American blues. Built on decades of collective experience, the group has earned a reputation for explosive live performances and uncompromising originality. Their debut album, The Skin I’m In, brought national attention to their songwriting, which confronts urban life, social struggle, and personal resilience through tightly arranged, groove-driven compositions. Recent victories at the International Blues Challenge have solidified their standing as one of the most compelling blues acts in the region, and their return to a New Jersey stage for this festival signals a homecoming moment for fans who have followed their rapid rise.

Eliza Neals brings a strikingly different but equally powerful dimension to the Winter Edition. An award-winning pianist, vocalist, producer, and bandleader, Neals is widely recognized for her commanding stage presence and fearless creative voice. With formal training in opera and mentorship from Motown songwriting legend Barrett Strong Jr., her musical foundation is both disciplined and deeply expressive. Neals fuses blues, rock, and soul into a high-impact performance style defined by emotional intensity and theatrical delivery. Her recordings receive daily national airplay, and her live shows have earned praise from some of the most influential names in blues and rock. With a rare three-and-a-half-octave vocal range and a reputation for unforgettable performances, Neals brings a modern, genre-blurring energy that expands the festival’s sonic reach.

Rounding out the lineup is New Moon Acoustic Blues, a trio dedicated to preserving and reawakening the earliest voices of the blues tradition. Led by guitarist and singer Karl Schwarz, the group focuses on high-energy acoustic blues inspired by Hill Country, Delta, and Piedmont styles. Joined by veteran guitarist Jack O’Hara and master percussionist Mark Ambrosino, the band recreates the raw emotional power of pre-electric blues while delivering performances filled with rhythmic drive and spontaneous interaction. Their set offers a powerful contrast to the festival’s electric acts, grounding the evening in the historical foundations that continue to influence every modern blues artist on the bill.

The guiding force behind the festival is Mike Griot, whose international career as a bassist and producer spans blues, jazz, soul, gospel, and hip-hop. His professional collaborations include Grammy-nominated and Grammy-winning artists across multiple genres, reflecting a creative versatility that has become central to his work as a curator. For South Orange audiences, Griot is also a familiar and deeply respected figure. He founded SOPAC’s acclaimed “In the Loft” performance series and has served for many years as the driving force behind its popular “Blues in the Loft” programs, helping to establish the venue as one of New Jersey’s most trusted homes for authentic, high-caliber blues programming. A longtime resident of South Orange and Orange, Griot’s commitment to community and cultural access has earned him widespread recognition for leadership in the arts.

What distinguishes the South Orange International Blues Festival from typical concert events is its intentional storytelling arc. The evening is carefully structured to highlight how blues continues to evolve while remaining anchored to its roots. Audiences are invited to experience not only virtuosity, but also narrative—songs shaped by history, migration, identity, hardship, and celebration. Each artist contributes a unique chapter to that larger story, creating a cohesive festival experience rather than a simple lineup of performances.

The Winter Edition also reflects a broader resurgence of intimate, artist-focused live music experiences across New Jersey. Smaller theaters and performing arts centers are playing an increasingly vital role in connecting local audiences with globally respected talent, offering the kind of close-range, emotionally immersive performances that large arenas simply cannot replicate.

In addition to the artistic experience, SOPAC continues to reward community support through its membership program. Patrons who hold Advocate-level memberships or higher receive access to discounted ticket pricing, reinforcing the venue’s commitment to keeping world-class live music accessible to the community it serves.

As winter settles over North Jersey, the third annual South Orange International Blues Festival: Winter Edition offers a powerful reminder of music’s ability to cut through the cold with warmth, connection, and shared experience. On February 6, South Orange will not simply host a concert. It will host a living celebration of the blues—its past, its present, and its rapidly unfolding future—brought vividly to life by artists whose voices continue to shape the sound of modern American music.

Meet the Artists

King Solomon Hicks 

King Solomon Hicks is a guitar phenom known for his mastery as a guitarist, vocalist, and composer. He grew up immersed in Harlem’s vibrant music scene, drawing inspiration from legendary musicians. He won the 2021 Blues Music Award for Best Emerging Artist with his acclaimed album “Harlem”. He has performed alongside legends like Buddy Guy, Tony Bennett, and Jeff Beck. His music blends blues, jazz, and R&B with a modern touch that reflects both tradition and innovation.  

Blues People 

BLUES People is a dynamic NY/NJ blues band known for their powerful musicianship and early comparisons to legends like The Meters and Buddy Guy. They released their debut album “The Skin I’m In” in 2024, which was nominated by BLUES BLAST MAGAZINE as Best New Artist Debut Album. The band members bring decades of experience, having supported major artists like Sue Foley and Bo Diddley Jr., and they won the North Jersey Blues Society International Blues Challenge in 2023 and 2024. BLUES People explores modern American blues through original songs that reflect urban life and struggle. Their fierce commitment to authenticity and roots makes them a standout force in contemporary blues. 
Eliza Neals 

Eliza Neals is an award-winning musician, pianist, producer, and bandleader whose powerhouse vocals and fiery stage presence are redefining modern blues-rock. A graduate with a BA in opera and protégé of Motown legend Barrett Strong Jr. (I Heard It Through the Grapevine, Papa Was a Rolling Stone), Eliza fuses blues, rock, and soul into unforgettable songs heard daily on SiriusXM’s B.B. King’s Bluesville. Praised by icons like Buddy Guy, Mick Jagger, Joe Louis Walker, and Walter Trout, she’s been invited four times to the Mustique Blues Festival, where Mick Jagger called her “a voice I soon won’t forget.” Recent honors include two 2024 Independent Blues Awards (“Road Warrior” plus “Best Blues-Rock Song” for Candy Store), 2024 Music Connection’s Hot 100 Unsigned Artist, and the 2018 Detroit Black Music Award for Blues Artist of the Year. With a three-and-a-half-octave range and a fearless creative spirit, Eliza Neals continues to break boundaries and electrify audiences worldwide. 
New Moon Acoustic Blues 

New Moon Acoustic Blues is a high energy traditional blues outfit led by guitarist and singer Karl Schwarz. The band performs all manner of Acoustic Blues typified by artists such as the Reverend Gary Davis, Robert Johnson and RL Burnside. Joining Karl on stage, his good friend on guitar, Mr. Jack O’Hara, who’s many musical credits include the late BB King and Lightning Hopkins. New Moon Acoustic Blues’ own, Mark Ambrosino, bringing a smooth and dynamic percussive accompaniment, who’s musical credits include Whitney Houston, Michael Brecker and Ray Charles, the trio brings a wonderful high energy to classic acoustic blues styles. New Moon Acoustic Blues never fails to resurrect on stage the powerful feelings of Hill Country, Delta and Piedmont Blues.

Festival Curator: Mike Griot 

MIKE GRIOT has criss-crossed the world for several decades as a sought-after bass player in a variety of musical genres including, blues, soul, jazz, gospel, and hip-hop.  His diverse credits include Grammy-nominee SUE FOLEY (blues), UK-soul pioneer OMAR (soul), Grammy-nominee RUSSELL GUNN (jazz), Grammy-winner HEZEKIAHWALKER (gospel),
GANGSTARR/GURU’s JAZMATTAZZ (hip hop) and dozens of globally-recognized artists.

Griot is proud to have founded SOPAC’s “In the Loft” series, and has served for many years as curator of its “Blues in the Loft” events. He has received the 2014 HANDS Community Leadership Award… and is a proud, longtime resident of both South Orange and Orange.