Following an undeniably triumphant 2024 tour, Vampire Weekend have announced their return to global stages this summer.
Since the release of their rapturously received fifth studio album, Only God Was Above Us (Columbia Records), Vampire Weekend launched their live run under an eclipsed sky in Austin (hailed by Variety as one of the ‘Best Concerts of 2024’), graced stages everywhere from a surprise set at Coachella, a sold out Hollywood Bowl and Red Rocks, as well as amphitheater and arena stops across the country highlighted by a two sold out show stand at the famed Madison Square Garden. With no plans to slow down in 2025, the band is set to dominate festival stages and solo dates spanning the US including Philadelphia, Miami, Charleston and more. Additionally, Vampire Weekend have kept their promise of returning to the city of Asheville after postponing their initial date due to the devastating Hurricane Helene.
Vampire Weekend continues to treat fans to the inner workings of the band as they release the latest episode of their sensational podcast Vampire Campfire. On the seventh installment of VC Koenig, Baio, and Tomson discuss the year ahead: OGWAU Tour Part 2, festivals old and new, a Frog on the Bass Drum revival, and much more. 2025 will be full of surprises, that’s a promise.

Following an undeniably triumphant 2024 tour, Vampire Weekend have announced their return to global stages this summer.
Since the release of their rapturously received fifth studio album, Only God Was Above Us (Columbia Records), Vampire Weekend launched their live run under an eclipsed sky in Austin (hailed by Variety as one of the ‘Best Concerts of 2024’), graced stages everywhere from a surprise set at Coachella, a sold out Hollywood Bowl and Red Rocks, as well as amphitheater and arena stops across the country highlighted by a two sold out show stand at the famed Madison Square Garden. With no plans to slow down in 2025, the band is set to dominate festival stages and solo dates spanning the US including Philadelphia, Miami, Charleston and more. Additionally, Vampire Weekend have kept their promise of returning to the city of Asheville after postponing their initial date due to the devastating Hurricane Helene.
Vampire Weekend continues to treat fans to the inner workings of the band as they release the latest episode of their sensational podcast Vampire Campfire. On the seventh installment of VC Koenig, Baio, and Tomson discuss the year ahead: OGWAU Tour Part 2, festivals old and new, a Frog on the Bass Drum revival, and much more. 2025 will be full of surprises, that’s a promise.

Our Last Night was formed in 2004 by brothers Matt and Trevor Wentworth along with childhood friend Tim Molloy. Combining huge melodic choruses, intense breakdowns, and wide ranging vocals they have created their own brand of post-hardcore. Lyrically the band strive to create a message of hope throughout all of their records. With no label and a massive fan base Our Last Night’s DIY approach of self-producing their albums and music videos has become a model for those seeking to make a living doing what they love. Their unique sound and ability to create rock solid covers of today’s hits has solidified their success while launching their original music into new realms. Don’t miss them on their 2025 North American Tour – The Final Tour!

Projecting a full-bodied voice with every inch of her being, Dorothy Martin kindles a spark of hope into a flame as bright as the sun itself. The Budapest, Hungary-born maverick singer, songwriter, performer, and frontwoman of the Los Angeles-based eponymous band DOROTHY brings gusto, grit, and glory back to hard rock, exuding superstar-size confidence coupled with the quiet resolve of an old school Western anti-hero. She has unassumingly blazed her own trail with sold out tours, major collaborations, and over 1 billion streams already in the rearview. DOROTHY arrived with the force of a hurricane back in 2016, serving up the full-length debut ROCKISDEAD. Surging on DSPs, “Raise Hell” reeled in over 85 million Spotify streams followed by “Wicked Ones” with 77 million Spotify streams. The band organically attracted a diehard global fanbase with 28 Day in the Valley [2018] and Gifts From The Holy Ghost [2022]. KERRANG! hailed the latter as “a hot-blooded rock ‘n’ roll record through and through,” and RIFF raved, “Holy Ghost serves as a triumphant battle cry and a return to form.” Perhaps, Outburn put it best, “it’s her most bombastic and gloriously, victorious rock and roll work yet.” Simultaneously, the singer took flight as the rare dynamo equally at home on a track with Slash and Nita Strauss of Alice Cooper or Staind and Scott Stapp of Creed. She even notably dueted with Stapp at the Grand Ole Opry. However, her vision really catches fire on the group’s fourth full-length album, The Way [Roc Nation], introduced by the single “Tombstone Town” [feat. Slash].

The story of UB40, and how this group of young friends from Birmingham transcended their working-class origins to become the world’s most successful reggae band, selling over 100 million records and spending over a combined 11 years in the UK album charts, is not the stuff of fairytales as might be imagined. The group’s led a charmed life in many respects it’s true, but it’s been a long haul since the days they’d meet up in the bars and clubs around Moseley, and some of them had to scrape by on less than £8 a week unemployment benefit. The choice was simple if you’d left school early. You could either work in one of the local factories, like Robin Campbell did, or scuffle along aimlessly whilst waiting for something else to happen.
By the summer of 1978, something else did happen, and the nucleus of UB40 began rehearsing in a local basement. Robin’s younger brother Ali, Earl Falconer, Brian Travers and James Brown all knew each other from Moseley School of Art, whilst Norman Hassan had been a friend of the Campbell’s since junior school. Initially, they thought of themselves as an instrumental “jazz-dub-reggae” band, but by the time Robin was persuaded to rejoin and much later they’d recruited Michael Virtue and lastly Astro – who’d learnt his craft with Birmingham sound-system Duke Alloy – the group had already aligned themselves to left-wing political ideals and forged their own identity, separate from the many punk and Two Tone outfits around at that time. The group had nailed their colours to the mast by naming themselves after an unemployment benefit form. Their political convictions hadn’t been gleaned second hand either, but cemented in place whilst attending marches protesting against the National Front, or rallies organised by Rock Against Racism.

Michael Blaustein is one of the fastest rising stand up comedians working today. His viral stand up comedy clips have amassed over 900 Million views across all social media platforms. He has sold out venues across the world, most recently closing out his successful 2024 tour year with over 72,000 tickets sold. When he’s not on the road, he’s cohosting the chart topping hit comedy podcast Stiff Socks with Trevor Wallace, which has over 70 Million downloads. Michael has worked with brands such as Manscaped, Liquid Death, and BetterHelp.

Moriah Rose Pereira (born January 1, 1995), better known as Poppy and formerly as That Poppy, is an American singer, songwriter, and YouTuber. She first earned recognition for surreal performance art videos on YouTube, in which she played an uncanny valley-like android commenting on and satirizing internet culture and modern society. She has become more widely known for being highly experimental and versatile with her artistry and music.

Silversun Pickups’ sixth album Physical Thrills came together as a serendipitous accident during a dark time. The LA band began 2020 by touring in support of their record released the previous year, Widow’s Weeds. But the pandemic halted those plans, with the members including guitarist and singer Brian Aubert, bassist Nikki Monninger, drummer Christopher Guanlao, and keyboardist Joe Lester, finding themselves stuck at home. In that resting period, Aubert wasn’t focused on Silversun Pickups; instead, he channeled his energy into taking care of his son, Nico, while his wife Tracy worked.
But as much as his focus initially shifted from the band, he couldn’t escape the new melodies germinating in his head. “I would sneak off and start writing these songs, and I didn’t know what they’re for because I didn’t really think about Silversun on any level. I was just doing it to keep myself calm and keep myself company,” says Aubert. The songs were so different from what he’d previously written for Silversun Pickups that he initially thought he was writing a musical. There were “dream shanties,” gentler vocals, horror-inspired sounds, and other exciting new elements coming to mind.
The band finally was able to gather in person for a live-streamed acoustic performance on Halloween for The Dark Zone Network’s virtual music festival Queen Mary, and it was there that Aubert revealed the new material to his bandmates. They readily embraced the new direction—and so did producer Butch Vig. The band reunited with Vig, who first worked with Silversun Pickups on Widow’s Weeds, recording the record at the famed producer and Garbage member’s home.
When Aubert first reached out to Vig, he wasn’t sure if the band was making an EP or a full record; Widow’s Weeds was still fresh for Silversun Pickups. But once Aubert made plans to visit Vig and play him what he had, the music began pouring out. He immediately began recording with Vig, later having the rest of the band join.
Once the band began working on Physical Thrills together, they made some of Silversun Pickups’ most stunning songs yet. The record doesn’t depart drastically from the sound the band’s fans know and love, but rather enhances it with previously-unexplored fixtures at play.
Physical Thrills was colored by the pandemic, but isn’t meant to be solemn; instead, Aubert explores his own comfort in the temporary, newfound isolation. There’s a juxtaposition of playfulness with angst from having so much time to process untapped emotions. That’s something that comes through in the album’s instrumentation, too, with wide-ranging sounds that transform according to the weight of the lyrics.
There are tracks with shoegaze-infused distorted synths and guitar, like opener “Stillness (Way Beyond)”; bouncy, pop-tinged danceable tunes (“Empty Nest,” “Hereafter (Way After)”); pared-down ballads (“Alone On A Hill”); and a collection of “dream shanties,” as Aubert refers to them.
The titles of those shanties call back to “Dream At Tempo 119” off the band’s 2006 debut record, Carnavas, tying the band’s beginnings with the current, evolved iteration of Silversun Pickups. But, this time, the instrumentation matches the lyrics. Aubert forgoes the heavy guitars to instead create magical lullabies: “Dream At Tempo 050,” “Dream At Tempo 310,” and “Dream At Tempo 150.” Each carries a secret code in the title with numbers personal to Aubert.
With such an exploratory record, the band members felt free to traverse new ground. Guanlao, who usually shies away from fills on drums, took inspiration from The Beatles documentary Get Back, throwing some into Physical Thrills, influenced by Ringo Starr’s work on Let It Be. Whereas for Monninger, this record allowed her to showcase her vocals at the forefront more than in previous work. Joe also took a larger role in composition on this record, writing the piano part for “We Won’t Come Out,” which became the backbone for the song.
The making of Physical Thrills also allowed for whimsical moments, including Aubert creating a distinct tapping noise by incorporating the sound of drumsticks hitting Vig’s Grammy in “Hidden Moon,” and playfully pelting balloons at Monninger while she played “Hereafter (Way After)” on bass to create less tension.
While this record features such an eclectic mix of melodies, each song is interconnected with each other, meant to be experienced as a whole body of work. “All of our records are designed for people who want to listen to them all the way through and hopefully stick around with it,” says Aubert. “After a while, maybe you’ll catch on to the little things—not just the [pattern of] the dream songs, but maybe you’ll hear that, and you’ll hear a melody from the first song in the last song. There are crossover things happening.”
Lester says, “Physical Thrills is exactly the record that we wanted to make, which I’m really stoked about because sometimes you look back and think, ‘Well, that’s maybe not exactly how we would have done it’ when you go back and listen to it years later.’ But I feel really proud of this one. I think the songs that Nikki sings on are like the best ones we’ve done for her to sing on. The lyrics are better than they’ve ever been.”
Monninger adds, “We’ve been together for twenty-two years; it’s really interesting that we still love doing this. We know that we’re fortunate to still be together after all these years, seeking out the silver lining. I feel like we still have many more things to say, and we’re so happy with how this album turned out.”

COLORS Worldwide Presents: R&B ONLY LIVE
18+
Q: What is R&B ONLY LIVE?
A: R&B ONLY LIVE is a journey of R&B music from past to present.
Q: How should I dress for R&B ONLY LIVE?
A: Come camera ready! Our photographers will be on site.

Since first emerging from (and defining) the Southern California pop-punk scene in 1978, the legendary Descendents have released classic after classic, from their landmark 1982 LP Milo Goes to College to 2016’s Hypercaffium Spazzinate. Now, after issuing a flurry of singles to get fans through the past few years, the band — Milo Aukerman (vocals), Bill Stevenson (drums), Stephen Egerton (guitar), and Karl Alvarez (bass) — will be touring in support of a new album. With a very cool twist.
What started with Milo Goes to College now comes full circle on the blistering 9th & Walnut (Epitaph), a “lost album” quietly recorded in 2002 by the MGTC lineup of Stevenson, Aukerman, Tony Lombardo on bass, and Frank Navetta (d. 2008) on guitar. Audiences should be geared up for shows featuring songs spanning Descendents’ incredible career, from “Suburban Home” and “Silly Girl” to “I’m the One” and “Without Love,” and including 9th & Walnut tracks like first single “Baby Doncha Know” and its incendiary follow-up, “Nightage.”

Legendary music icons, THREE DOG NIGHT, celebrating nearly 5 decades, claims some of the most astonishing statistics in popular music. In the years 1969 through 1974, no other group achieved more top 10 hits, moved more records or sold more concert tickets than THREE DOG NIGHT.
THREE DOG NIGHT hits wind through the fabric of pop culture today, whether on the radio where they are heard day in and day out, in TV commercials or in major motion pictures — songs like “Mama Told Me (Not To Come)”, “Joy to the World”, “Black and White”, “Shambala” and “One” serve to heighten our emotions and crystallize THREE DOG NIGHT’s continuing popularity.
This Grammy-nominated band is not content resting on its legacy alone. Always working to expand its audience, THREE DOG NIGHT has embraced and been embraced by 21st century music technology. New and existing fans buy THREE DOG NIGHT’s music on iTunes as well as at record stores. In fact, releases from this decade alone have sold well over a million copies.
Recently, THREE DOG NIGHT began adding new songs to its arsenal by releasing its first double-A sided single in nearly 25 years. The blistering performance of “Heart Of Blues” and the timely, beautiful a-cappella ballad “Prayer of the Children”.
THREE DOG NIGHT also pushed boundaries by recording with the London Symphony Orchestra, giving fans new and old a chance to experience its dynamic performances of the hits as well as several new songs. The project, recorded at the famous Abbey Road studios in London and released to coincide with the band’s 35th Anniversary, added exciting new orchestral arrangements to THREE DOG NIGHT’s signature sound.
THREE DOG NIGHT maintains an aggressive, year-round touring schedule of over 70 dates a year. The hit filled concerts are performed for generation-spanning audiences by Danny Hutton (founder/lead vocalist) and Michael Allsup (guitar), Paul Kingery (bass/vocals), Pat Bautz (drums), Howard Laravea (keyboards) and David Morgan (vocals). The band’s now-famous name refers to native Australian hunters in the outback who huddled with their dogs for warmth on cold nights; the coldest being a “three dog night”.
Boasting chart and sales records that are virtually unmatched in popular music, THREE DOG NIGHT had 21 consecutive Top 40 hits, including 3 #1 singles, 11 Top 10’s, 18 straight Top 20’s, 7 million-selling singles and 12 straight RIAA Certified Gold LPs. The hits appeared on best selling charts in all genres (pop, rock and country). Its records continue to sell around the world, reaching beyond the borders of the U.S. into Japan, Canada, Holland, England, Germany, Spain and elsewhere. Tens of millions of THREE DOG NIGHT records have been sold through the years.
THREE DOG NIGHT recorded the music of the best (and mostly undiscovered) new songwriters of that time including Harry Nilsson, Randy Newman, Elton John, Laura Nyro, Paul Williams and Hoyt Axton among many others. The group’s eclectic taste, combined with its ability to recognize and record hits in a unique, distinctive and appealing style, resulted in THREE DOG NIGHT dominating the charts for years.
Now, marking nearly 50 years on the road, THREE DOG NIGHT continues to grow its fan base by keeping up a full schedule of concerts at theatres, performing arts centers, fairs, festivals, corporate events, and casinos. Since 1986, the band has performed over 2,200 shows including two Super Bowls.

A Wild Child performance is the closest thing to a real 1960’s Doors concert and Live Doors Experience. This is not a typical tribute band. Wild Child relies on recapturing the original: sound, feel, mood, dynamics and delivery of the Doors music. In true Doors fashion there are no: wigs, props, costumes, or phony banter between song. It’s about the music and its delivery by top pro musicians and performers.
This compact touring group has minimal technical requirements to make a big show. Fly in engagements are a snap. This four piece group has over two decades of world tour experience and always delivers!
From 2010 to 2013, Wild Child lead singer Dave Brock fronted the touring act “Ray Manzarek and Robby Krieger of The Doors.” Being selected by these two Rock’n Roll Hall of Fame musicians was a huge honor for Dave. This was the ultimate compliment of his talents and speaks volumes for his credibility as a doors style front man and vocalist.

Matthew Morrison, known for his standout role as Will Schuester on “Glee,” is a dynamic performer whose charisma and versatility have captivated audiences for years. With a background in musical theater, Morrison effortlessly blends his impressive vocal talents with a strong acting presence, bringing depth and charm to his performances. “Rhythms & Revelations” in his own words: “This show comes from my heart—it’s a piece of my soul laid bare. I’m stepping outside of all the characters I’ve played, shedding every mask, and diving deep into my authenticity and vulnerability.”
– MM
Sample Set List:
• Smile
• You’ll Be in my Heart
• As Long as She needs me
• Some Enchanted Evening
• Lost in Japan
• Hairspray Medley
• Somewhere Over the Rainbow
• Singin in the Rain
• Rocketman

Rolling Stone Magazine has proclaimed Darlene Love to be “one of the greatest singers of all time” and that certainly rings true, but perhaps Paul Shaffer says it even more concisely: “Darlene Love is Rock N’ Roll!” – which was made official when she was inducted into the Rock and Roll Hall of Fame by Bette Midler, a great fan of her work, in 2011. During the celebration, the two ladies enjoyed performing “He’s A Rebel” together and as part of the festivities, Darlene also sang “He’s A Fine, Fine Boy” backed by another distinguished fan, Bruce Springsteen. At the Academy Awards, Darlene sang her powerful acceptance speech on behalf of all of the performers in the winning film “Twenty Feet From Stardom.” As she raised the Oscar, the entire house stood with a cheering ovation, led by the wildly applauding Bill Murray. It was another special moment in a great career. A Grammy award soon followed for the soundtrack of the film.  Her Billboard hits include: He’s A Rebel, The Boy I’m Gonna Marry, Wait ‘Til My Bobby Gets Home, He’s Sure the Boy I Love and the #1 holiday classic Christmas Baby (Please Come Home), a song that she performed annually with Paul Shaffer and the CBS Symphony Orchestra on The Late Show With David Letterman for some 29 years until Letterman retired.  To continue this long-standing tradition, Darlene performs a number of special Christmas shows every year and continues to enchant her fans with the Christmas spirit.

The Maccabeats have entertained and inspired hundreds of audiences worldwide, from Alabama to New Zealand and everywhere in between. Using nothing more than the unadulterated human voice, a clean-cut presentation, and a little Jewish humor, this unique group of singers connects with fans of all backgrounds and ages. Originally formed in 2007 as Yeshiva University’s student vocal group, the Maccabeats have recently emerged as both Jewish music and a cappella phenomena, with a large fanbase, more than 20 million views on YouTube, numerous TV appearances, and proven success with four albums, 2010′s Voices From The Heights, 2012′s Out Of The Box, 2014′s One Day More and 2015′s A Maccabeats Hanukkah. Though the Maccabeats aren’t your grandfather’s synagogue choir, their ideology and identity play an important part in what they do. Strongly committed to the philosophy of Torah u-Madda, the integration of traditional and secular wisdom, the Maccabeats perform an eclectic array of Jewish, American, and Israeli songs. Their breakthrough piece, Lecha Dodi, is the epitome of this synthesis, combining some of the most beloved words of Jewish liturgy with Leonard Cohen’s meaningful and melodic Hallelujah.

Born in the Philippines and raised in California, JR De Guzman began performing comedy while working as a music teacher, which he quickly learned just meant teaching Taylor Swift songs to teenagers. He has entertained all over the world, having performed for Stand-Up Tokyo and ROR Comedy in Japan, the Jokers Ball in Indonesia, the Badaboom Comedy Series in Amsterdam, and countless other international shows. JR was the winner Stand-up NBC in 2016 & named as a prestigious “New Face” at Just for Laughs 2017. His quarter hour special on The Comedy Lineup is available on Netflix, and he was named one of Variety’s Ten Comics to watch 2022. Catch him on tour in a city near you!

Experience the magic of the holidays with Michael Feinstein, the Grammy-nominated guardian of the Great American Songbook. In a captivating multimedia performance, Feinstein breathes new life into cherished holiday classics and timeless standards – from “White Christmas” and “Have Yourself a Merry Little Christmas” to “The Christmas Song” and poignant gems like “Somewhere” and “You’ll Never Walk Alone.”
Witness a true master interpreter whose illustrious career spans the globe – from the White House to Carnegie Hall – deliver an unforgettable evening of warmth, nostalgia, and heavenly peace. Feel the spirit of the season through iconic melodies performed with Feinstein’s signature elegance and passion.

Engelbert Humperdinck “A Winter World of Love” A Night of Holiday Classics & Greatest Hits  Celebrate the season with the unmistakable voice of Engelbert Humperdinck in a special holiday concert that blends his timeless hits with beloved holiday classics. Whether you’re a longtime fan or discovering him for the first time, this festive evening promises warmth, nostalgia, and musical magic that will make your holidays unforgettable. In a career spanning over 50 years, Engelbert Humperdinck has sold over 140 million records, including 64 gold albums and 35 platinum. He’s earned four Grammy® nominations, a Golden Globe, and stars on the Hollywood Walk of Fame, Las Vegas Walk of Fame, and Leicester Walk of Fame. He’s performed for royalty—including four appearances before the Queen—as well as for several U.S. presidents and numerous heads of state. From romantic ballads to movie themes, disco, rock, and gospel, his signature voice has captivated audiences around the world. Humperdinck burst onto the music scene alongside The Beatles and The Rolling Stones. The shy, handsome singer quickly rose to global stardom, even forming a close friendship with Elvis Presley—the two legends often covered each other’s songs. His breakout hit “Release Me” spent 56 consecutive weeks on the charts and topped the charts in 11 countries, earning a place in the Guinness Book of Records. Decades later, he continues to tour internationally to sold-out crowds, taking joy in every performance. His music has endured across generations, and his voice continues to inspire and connect. Songs like “A Man Without Love,” featured in Marvel’s Moon Knight (Disney+), “Forever Blowing Bubbles” in Bullet Train (Sony Pictures), and “Quando, Quando, Quando” in Netflix’s The Umbrella Academy have introduced him to new fans around the globe. In recognition of his extraordinary contributions, Humperdinck was appointed a Member of the Most Excellent Order of the British Empire (MBE), an honor presented by Her Royal Highness Princess Anne.