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Take a ride on the “Midnight Train to Georgia” over “River Deep, Mountain High” while award-winning vocalist CeCe Teneal delivers you the “R-E-S-P-E-C-T” you deserve in DIVAS OF SOUL, a one-of-a-kind concert event! This spectacular celebration of thirty years of chart-topping music from artists like Aretha Franklin, Gladys Knight, Chaka Khan, Tina Turner, Whitney Houston, and more has wowed audiences worldwide, featuring hits from the Disco Era (“Ring My Bell,” “Best of My Love”) to Broadway (“And I Am Telling You I’m Not Going”) and Pop (“What’s Love Got to Do with It,” “I’m Every Woman”).
An award-winning songstress in her own right, Ms. Teneal has been nominated for four Independent Music Awards and claimed the title for 2011 Best Gospel Song (“I Heard You Prayin’”) and 2011 Best R&B Album (Train from Osteen), as well as 2018 Best Soul/Funk/Fusion Song (“Danger”). She was chosen as the halftime headliner for the 2019 Citrus Bowl, and in 2022, Mayor Buddy Dyer and Mayor Jerry Demmings proclaimed September 17th as Annual Cece Teneal Day in Orlando and Orange County, respectively, to celebrate her twenty years of arts and entertainment contributions. “[CeCe Teneal] forces you to feel and connect with emotions you didn’t know you had.” – Presenter, Dr. Phillips Center for the Performing Arts, Orlando FL

The Jersey Shore Arts Center is thrilled to announce the
Second Season lineup of Americana singer-songwriters
of the Split Level Concerts music series!
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NEW! Season Tickets are on sale NOW! Tickets for individual shows go on sale Friday, May 9th!​

Three-time Emmy winner Christian Jules Le Blanc (The Young and the Restless) and Matt de Rogatis (Brick in Cat on a Hot Tin Roof) star in Edward Albee’s The Zoo Story—a searing, no-holds-barred one-act produced by the renegade Off-Broadway company Ruth Stage. Set in Central Park, the play detonates themes of isolation, power, and the human need to be seen. Bold. Brutal. Unforgettable.

Thank you to all the artists who have shared their original music and art at Café Artiste! To all the wonderful people who come and enjoy the amazing shows. Thank you for supporting this special listening room giving these talented artists the attention and appreciation they deserve. A heart felt thanks to all those who volunteer their time to make Café Artiste run. It’s truly magical.

The Verdict
Release Date: March 1, 2019
Fact: Queensryche have never been a band to rest on their laurels. In a career set against the new-millennium’s backdrop of cultural chaos, they’ve remained a constant; musically innovative and lyrically thought-provoking. One of rock’s most respected names who have weathered the storm and emerged in 2019 with The Verdict. It’s an album that echoes Queensryche’s three decades of career high-points while pushing ahead with the confidence and urgency of a band just now coming into its own.
With a legacy behind them that’s shifted over 30 million records and built a dedicated legion of fans while touring the globe alongside giants including Metallica, Def Leppard and The Scorpions, Queensryche have exceeded themselves once again. If Queensryche’s 15th studio album sounds like a young, hungry band just hitting its stride, it’s because that is precisely the case. Produced and mixed by Chris “Zeuss” Harris (Hatebreed, Rob Zombie), who helmed 2015’s Condition Human, it’s also Queensryche’s third album with frontman Todd La Torre, who joined the veteran band in 2012, taking the reins from erstwhile voice, Geoff Tate.
“The Verdict is that statement for us – in much the same way that [1984’s] The Warning was,” says founding guitarist Michael Wilton. “This one’s the creative convergence of this lineup. We got together and worked on every song as a band. The spontaneity, the creativity; it came out of all of us, working together as a band should.” From the hypnotic riff and melody of “Light Years” to the moodiness of “Dark Reverie” or the epic rock n’ roll workout of “Propaganda Fashion” , this is a record that stands up to Queensryche’s gold and platinum watersheds including Rage for Order, Empire or Promised Land.
However, The Verdict is very much an album for 2019: both in band’s far-reaching musical grasp, but also from a lyrical point of view. As far back as 1988’s career and commercial breakthrough, Operation: Mindcrime, the Bellevue Washington-born band distinguished themselves for combining powerful and progressive rock with equally evocative lyrics. Queensryche’s latest is no exception to that rule. “It’s very usual for Queensryche to write about geo-political, socio-political, socio-economic, governmental-type things,” says La Torre. “Ideas that push people’s buttons, but in not such a literal way. There’s definitely an abstract aspect to the lyrics that make it open to interpretation.”
Queensryche and its now-seasoned frontman aren’t afraid to be direct in their lyrical ire. “The first track on the record is called ‘Blood of the Levant’,” La Torre explains. “That really is about the Syrian war and how it started with these two kids spray-painting: ‘You’re next, Doctor!’ referring to Assad, because he was an ophthalmologist before he took power. That song has to do with the people becoming rebels against their own Syrian government and the one’s that support it, i.e. Iran, Russia, Hezbollah, and ISIS which took advantage of the war to invade Syria. Then you have the song, ‘Bent’, that isn’t political but has undertones in lines
like: ‘The poisoning of tribes.’ Which is basically referring to how we devastated the Native Americans. “To the lifeline of Flint.” Which is basically about the bad water in Michigan. ‘Now the black snake it crawls deep within sacred grounds, we will never consent.” Talks about the oil pipelines going through Native American land.”
The bond that runs through the current lineup of Queensryche (rounded out by bassist Eddie Jackson and guitarist Parker Lundgren) was tightened and tested during the making of The Verdict. When personal commitments forced drummer Scott Rockenfeld to sit out the recording sessions that spanned between Seattle’s Uberbeatz, Michael Wilton’s Washington State home studio and Zeuss’ Planet-Z Studios in Hadley, Massachusetts, La Torre ably handled the drumming chores with the sort of reverence for Queensryche’s subtleties and nuances he demonstrates behind the mic. “I’ve been drumming for 30 years,” says La Torre, who was recruited from Floridian metal band, Crimson Glory. “I certainly know the nuance and style of Queensryche’s drum parts first hand so it certainly made me a logical choice to record the drums.”
The band credits Zeuss’ return to the producer’s seat as a key part of The Verdict being a record that will take its place amongst their classics. “Zeuss understands us in way that probably no producer we’ve ever worked with has,” says Jackson. “He understands our history, our sounds, what’s in our DNA. He’s willing to push us and vice-versa. We were lucky to work with him again.” When asked where The Verdict sits in Queensryche’s discography, there’s no mistaking the fact that the band’s legacy and connection with their fans is key to their continued success.
“With the first self-titled album (2013’s Queensryche), Todd and I were the new guys and we wanted to “stick to the legacy of Queensryche” and stick to the legacy of the first five classic records,” says Parker, who initially joined the band in 2009. “Then when Condition Human came out, we were able to branch out a little bit, pushing the limits stylistically. This album is really the next step for us.”
“Having Todd and Parker in the lineup does create some new chemistry and new ideas when it comes to the songwriting,” Jackson affirms. “Having new blood in the band certainly gave us some new life for these past three albums. This is something we all have a passion for and having the freedom to write, record and tour without any limits is nothing short of refreshing.”
Queensryche’s impact on other bands and musicians is undeniable. While they dominated rock radio in the 90’s with a string of hits including “Jet City Woman” and “Silent Lucidity”, their influence on rock and progressive bands including the likes Dream Theater or the late, lamented Nevermore has been undeniable. “We grew up during the days when being experimental was a key element,” says Wilton. “Where you could write an album that was completely different than the previous album, put those songs in your set-list and that would completely work! That’s what allowed us to play with Bon Jovi, AC/DC and Iron Maiden! It’s about the musicianship, the songwriting that desire to carry the torch when songs were put together by musicians not machines.”
The Verdict is in and it’s testament to not merely Queensryche’s staying power as a force in rock in a turbulent new world, but a band without boundaries who continue to prove how timeless they truly are.

For as much as Waterparks is a genre-busting collective of three friends who play music, hang out, and constantly flip the script, Waterparks really represents a bigger, dare we say, movement. The Houston trio— Awsten Knight [vocals, guitar], Otto Wood [drums], and Geoff Wigington [guitar]—have unassumingly brought vibrancy back to rock. (The only thing bolder than their melodies is whatever hair dye Awsten opted for this week!) Their strange magnetic pull has attracted a growing cohort of devoted fans who pack sold out shows, stream their songs like crazy, and have even elevated them to multiple Billboard charts as they’ve also headlined the Sad Summer Festival and accompanied My Chemical Romance on a sold out arena tour.
However, the next era begins with the band’s fifth full-length and debut album for Fueled By Ramen, INTELLECTUAL PROPERTY, and even more adventures…
Waterparks might just be the biggest band of tomorrow. To understand why, you have to go back to the beginning. Their 2011 formation cemented the union of three distinct personalities. Raised somewhere in between the iPod generation and the first wave of social media, Awsten, Otto, and Geoff occupied a singular creative crossroads. A glance at Otto’s listening history would span the likes of Every Time I Die and Balance & Composure, while Geoff found inspiration in crossover juggernauts such as Linkin Park. Awsten’s tastes covered the gamut from Donald Glover and One Direction, to Ke$ha (and everything else in between).
Following their launch, the group bubbled up with a famed one-off Houston appearance on 2013’s Warped Tour—which they eventually shined on for its entirety during 2016. It’s fitting they popped off on the same stage that also supported category-defiant disruptors a la Eminem, Deftones, Katy Perry, and more early on. With eye-catching, often meme-able music videos and a sound somewhere between alternative, pop, electronic, and rock spiced up with a little hip-hop attitude and even R&B vocal acrobatics, Waterparks fittingly defied categorization themselves and ushered in a new era of “alternative,” living up to the definition of the word for the 2020’s, speaking to not only music but also total cultural immersion with fashion, unforgettable videos, and a boundary-breaking culture.
They reached unprecedented heights with 2021’s Greatest Hits. Don’t let that title fool you—it didn’t collect their best-performing songs at a discounted price, but it did showcase their best material to date. As such, it cracked the Billboard Top 200 and landed in the Top 10 of the Top Alternative Albums Chart and Top Rock Albums Chart. In the wake of its release, they impressively eclipsed half-a-billion streams thus far. In addition to coverage from Rolling Stone, MTV, Kerrang!, and Alternative Press, they graced the covers of V Magazine and Upset Magazine (who also awarded the record a “five-out-of-five star” perfect score). Along the way, they sold out various headline tours. 2022 saw the band sign to Fueled By Ramen and turn the page on a new chapter in 2023 with INTELLECTUAL PROPERTY.
That brings us to the first single “FUNERAL GREY.” Powered by four different guitars (including a toy guitar for the main riff), the track swings like a wrecking ball from a buoyant verse into a distortion-lifted hyper-hypnotic hook. On its heels, they served up the introspective, infectious, and irresistible single “SELF-SABOTAGE.” Like listening to an internal dialogue, airy verses culminate with a self-effacing query, “What the f*ck is wrong with me?” Meanwhile, snappy guitars and fuzzy electronics underline the manically catchy hook highlighted by Awsten’s wild sky-high register. It’s yet another illustration of the boys’ uncanny knack for the unpredictable. Speaking of “F*CK ABOUT IT” [feat. blackbear] only further showcased their progression with its sticky hooks and artful vibe curation as it initially reeled in over 10 million streams (and counting).
INTELLECTUAL PROPERTY really kicks into high gear with “REAL SUPER DARK.” Its heavy catharsis manifests through jarring electronics, guttural screams, and an unexpectedly catchy chant. Meanwhile, “BRAINWASHED” depicts the ups and downs of infatuation against a soundtrack of handclaps and a sunny guitar riff that wouldn’t be out of place in your favorite turn-of-the-century summer comedy. A rush of hyperpop-style production barely relents long enough for the singer to proclaim, “Now Jesus hates my guts. It’s getting personal,” before one last blast of apocalyptically catchy melody.
There’s something for everyone here. As always, INTELLECTUAL PROPERTY is meant for the people comprising this greater movement—like everything Waterparks do.

Pink Talking Fish is a Hybrid Tribute Fusion Act that takes the music from three of the world’s most beloved bands and creates a special treat for fans of the music.
Pink Floyd, The Talking Heads and Phish are all more than just bands… they are Phenomenons. Their creations have artistically inspired people and their mindblowing live performances have brought people together to form a special sense of community around the love for their favorite band.
Although the music from each act is different, Pink Talking Fish has discovered that fusing the material together creates an amazing story. The epic emotion of Pink Floyd…. The funky, danceable layerings of The Talking Heads…. The multitude of styles, unique compositional structures and pure fun of Phish…. to merge these three into one gives music lovers a special experience.
Pink Talking Fish features Eric Gould on bass, Richard James on keyboards, Zack Burwick on drums and Cal Kehoe on guitar. This is a band created by musicians who love the music of these acts. It’s purpose is to heighten people’s passion for this music by creating something fresh and exciting for fans. Discovering connections is part of the fun: Pink Floyd’s “On The Run” seamlessly fitting in the middle of the composition of Phish’s “You Enjoy Myself”. Perfectly placing Phish’s “Sand” into the groove of The Talking Head’s “Slippery People”. Segued collections from all three acts such as Run Like Hell > Psycho Killer > Run Like An Antelope > Run Like Hell or Mike’s Song > Have A Cigar > Once In A Lifetime > Weekapaug Groove. These ideas are the spirit behind Pink Talking Fish.
The story is ever evolving. The experience is always exciting. Come join Pink Talking Fish for the ultimate fusion tribute and celebrate the love of this music in unique fashion.

Hailed as “an uncompromising, genre-defying artist firing on all cylinders” (Vice/Noisey) and “one of country’s more thoughtful artists” (Billboard), multi-platinum selling singer/songwriter Kip Moore has blazed his own trail and cemented his place as one of music’s most beloved artists. Beginning with his auspicious debut in 2012, Moore has since released five critically acclaimed albums and penned over a dozen chart-topping singles, including the multi-platinum hits “Something’ ‘Bout a Truck,” “Hey Pretty Girl,” “Beer Money,” and “More Girls Like You.” With over 1 billion streams and 2.5 million monthly listeners, he’s performed sold-out headline shows in stadiums around the world including Australia, New Zealand, South Africa, The U.K., Europe, and the U.S., leading to a nomination for CMA’s International Artist Achievement Award. His most recent album Damn Love was praised by Holler as “the best album of Kip Moore’s career” while earning further acclaim from Billboard, Music Row, and American Songwriter. Moore also appeared on Good Morning America to perform the album’s lead single and title track. Moore just wrapped up a stint with Billy Currington, which included a sold-out show in Nashville, and next, he will join HARDY this summer for his QUIT!! Tour. He’ll also undertake an extensive 14-show run in Australia this fall followed by a return to South Africa where he performed to crowds of over 40,000 people last year. For more information and tour dates visit kipmoore.net.

In a small town, you either die where you came from or dream your way out. From Ashes To New understand this choice. As such, the Lancaster, PA band—Matt Brandyberry [rap vocals, keys, synths, programming, guitar], Danny Case [clean & unclean vocals], Lance Dowdle [lead guitar], and Mat Madiro [drums]—churn out an anthemic hybrid of hard rock, hip-hop, electronic, and alternative with enough energy to inspire you to get up, move forward, and maybe even, make a change. Since 2013, the group have risen from humble beginnings to the top of the 21st century rock vanguard with hundreds of millions of streams, sold out shows across the country, and acclaim from LoudWire, Alternative Press, and more.
“Growing up in Elizabethtown, PA felt hopeless in a way,” admits Matt. “You go to college and become part of corporate America, or you’re just “trash”. For the longest time, I fell into the latter category according to other people. My mentality was, ‘Who are these people to fucking tell me what I’m going to do with my life?’ They don’t make my decisions; I make decisions for myself. It took a lot of ups and downs, but it’s paying off. I owe it to the small town blue-collar mentality that made me work harder. Danny grew up in Rochester, but his story is the same. We were the loners picked last. Everyone underestimated us. We fought through it for all of our lives, and we’re going to be picked first now.”
“I was always an outcast who nobody gave a shit about,” agrees Danny. “The only thing I ever dreamt of was music. Like the other guys in From Ashes to New, nobody was going to tell me otherwise or stop me.”
During 2021, the musicians holed up in Lancaster with longtime collaborators and producers Grant McFarland and Carson Slovak to create their upcoming album. This time around, the band made a conscious decision to ignore outside influences and focus on what makes them From Ashes To New.
“We weren’t going to let other people tell us what to do,” affirms Danny. “We went back to the guys who produced us for a long time, because they worked cohesively with us.”
“We got back to the days of creating music to simply create,” adds Matt. “We ended up making the most genuine piece of art we could. At the same time, we applied everything we’ve learned as musicians, producers, and writers. We knew we were capable of doing everything bigger and better.”