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Logging On: Examining the Influence of NUMTOTs on Urbanism Discourse

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September 19th, 2024 by Sneha Patel

“Whatever your niche interests are, there’s already a conversation happening online about it,” Michael Atkins, Communications Director at New Jersey Future, opened astutely when moderating the session “Logging On: Examining the Influence of NUMTOTs on Urbanism Discourse” at the 2024 New Jersey Planning and Redevelopment Conference hosted by the New Jersey Chapter of the American Planning Association and New Jersey Future. 

From navigating confusing metro maps to voicing frustrations with the lack of bike lanes, younger generations are using their lived experiences to engage with peers through the online ecosystem. By creating and sharing memes, young people have found a collective vehicle to insert themselves into the planning and transportation conversation. Millennials and Gen Z’s in the urbanism space, who hold similar values such as being pro-transit and pro-housing and believe better urbanism is crucial to meeting environmental goals, are called NUMTOTs, otherwise known as New Urbanists Memes for Transit-Oriented Teens. 

The session featured a selection of online creators with different insights, from the birth of “NUMTOTs” to creators of longer-form and short-form content. The panelists included Alan Fisher, Social Creator and Media Advisor; Alex Ambrose, Policy Analyst, New Jersey Policy Perspective; and Juliet Eldred, Co-Founder of the NUMTOT Facebook group and Project Manager at Trillium, an Optibus Company. 

The NUMTOTs Facebook group, created in March 2017 by Juliet Eldred and her co-founder Emily Orenstein—initially created as a joke—has flourished into a well-established discussion forum with over 225,000 members worldwide. Facebook served as the primordial soup for the emergence of transit-related memes, where many groups based on niche topics were common. Memes are images or short videos that are usually funny or relatable and are easily circulated. They are a way of tapping into feelings that everyone shares, from missing the bus to seeing something as bizarre as a bull on the tracks of NJ Transit. The shareable, simple nature of memes makes them a driving force to connect multiple generations to rally behind issues areas (even going as far as winning presidential endorsement from the entire group). The NUMTOT Facebook group was where many young professionals fostered their interest in the transit and planning field.

Alan Fisher, a fellow NUMTOT himself, explains how everyone engages in meme culture in some form: “The learning experience or the way that you teach the public has changed, but the concepts and the ways that we talk about it have not.” He compares a 1930’s advertisement from the Chicago Shore Line, which states, “The Steel Highways are always open!” to a current ad from the Chicago RTA, “Spoiler Alert: There’s Traffic.” Close to 90 years later, the same message remains: take the train, and you won’t be stuck in traffic. Fisher, the creator of the YouTube series Armchair Urbanist, on a YouTube channel with 225K subscribers and 24.5M views, makes content focused on urban planning, transportation, and North American history. He comments, “There’s always something to teach about urban planning to the general public. You have to shape and create a message in a way people will understand.” His YouTube community has been a place to get people engaged in otherwise “dull” topics and for professionals to get excited to talk about their niche interests in a captivating way. Being relatable, clear, and oftentimes funny can be the key to crafting content that resonates with people. Organizations frequently struggle with being too business-focused and using “LinkedIn fluff.” as Alan puts it. He remarks, “Being too nice at approaching concepts or too scared at making fun of the industry can keep you from connecting with anyone, leaving you with too muddy of a message because you aren’t taking a stand on anything.”

Alex Ambrose, Policy Analyst at New Jersey Policy Perspective, isn’t afraid of voicing their opinions. “You never know what will resonate with people,” Ambrose comments. Taking on the persona of a “Professional Nerd” she engages audiences on New Jersey policy primarily on Twitter and TikTok. Ambrose creates short-form content such as one-minute videos or shareable memes where she explains the legislative budget process while getting ready or inserting her policy opinions into trending topics like Barbie or Taylor Swift. She explains, “Humor creates a low barrier for people to understand new concepts.” Social media is unserious in nature but can have a tangible impact. She says, “You should treat social media like it is real life to reach your goals.” Social media content can reach influential audiences, including policymakers, senators, and even Governors. Ambrose aims to create content that reaches a specific audience to advocate for change. She advises, “Don’t go viral, go local.”

Social media may seem silly, but it is an effective means of intergenerational communication. Connecting our everyday occurrences and getting younger people interested, engaged, and informed is a way of leveling the playing field for those who want change but are unsure how to advocate for it. For many organizations, it can be a direct way to tailor your message to your audience. Access to affordable housing, multiple modes of transit, and clean drinking water are human issues. Everyone can relate and memes can be a way to mobilize the public. A little bit of “unprofessionalism” can make significant changes.

Tags: 2024 NJ Planning and Redevelopment Conference, changemakers, communication, engaging audiences, influencing, issue awareness, New Jersey planning and redevelopment conference, NUMTOT, social media, Transportation, urbanism




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Eight New Jersey Businesses and a Business Leader Are Recognized for ‘Challenging the Status Quo’ in the Garden State

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Trailblazer Awards Reception Was Hosted by the African American Chamber of N.J. and the N.J. Chamber of Commerce

Eight New Jersey businesses and a business leader that are leading the way in demonstrating tangible and measurable progress in diversity, equity and inclusion (DE&I) were recognized Nov. 14 at the third annual DE&I Trailblazer Awards reception, co-hosted by the African American Chamber Commerce of New Jersey and the New Jersey Chamber of Commerce.

“These are the companies and organizations that don’t just support DE&I, they are setting measurable equity and inclusion goals and meeting them,” said John E. Harmon Sr., IOM, founder, president & CEO of the African American Chamber of Commerce of New Jersey. “They are making a difference. We applaud these trailblazers and encourage their counterparts in the business community to work toward similar measurable goals.”

“We are honoring the companies that are walking the walk,” added Tom Bracken, president and CEO of the New Jersey Chamber of Commerce. “We are recognizing and celebrating the DE&I champions who are meeting the challenge and challenging the status quo.”

The DE&I Trailblazer Awards at Pines Manor in Edison revealed honorees that have excelled in these key areas: access to capital; board diversity; corporate citizenship; supplier diversity; and workforce diversity. Also presented was a ‘Statewide DE&I Champion’ award that went to a company that has excelled in nearly every category of DE&I; and a ‘DE&I Influencer’ award that went to an outstanding business leader.

The Awardees

The DE&I Trailblazer Award in the ‘Board Diversity’ category went to Virtua Health. Virtua’s board of trustees boasts a diverse composition – 41% people of color and 35% women. The awardee’s DE&I success is striking in another way. Their senior leadership team is 55% women and 22% people of color. Since diversity doesn’t just happen by chance — it takes hard work — every team member at Virtua (more than 10,000 people) completes an intensive 26-week course on human understanding and experience aimed at fostering self-awareness and building stronger relationships.

The DE&I Trailblazer Award in the ‘Access to Capital’ category went to New Jersey Community Capital. The nonprofit has made it its mission to inject vital capital into communities that need it most, while directly confronting racial and ethnic wealth disparities. In 2022, it closed $47 million in financing, only to surpass that in fiscal 2023 with an impressive $58 million in new loans. These loans have helped create or preserve 1,400 housing units, 2,000 jobs, and 330,000 square feet of real estate. But beyond the numbers, what truly stands out is the institution’s commitment to equity: 55% of its loan portfolio supports minority borrowers from underrepresented communities.

The DE&I Trailblazer Award in the ‘Supplier Diversity’ category went to American Water. Over the past three years, it has achieved a 25% increase in spending on diverse suppliers across New Jersey. This fall, it launched its Supplier Development Program, a six-month cohort designed to mentor diverse suppliers and enhance their chances of securing contracts with the company. The company, meanwhile, has dedicated an entire section of their website to clearly report their metrics on inclusion, diversity, and equity. It also adopted a strategic plan to build an inclusive, diverse, and equitable workplace where employees feel they belong and can bring their whole selves to work.

The DE&I Trailblazer Award in the ‘Corporate Citizenship’ category went to Comcast. Comcast is leading the charge against digital inequity through its $1 billion initiative aimed at connecting people to the internet. Since 2011, the company has connected over 496,000 low-income New Jersey residents to the internet at home. It has also established more than 1,250 Wi-Fi zones in community centers nationwide — including over 30 in New Jersey — providing free, high-speed Wi-Fi and digital skills training for students and families of all backgrounds. In the past three years, this corporation has contributed $17.1 million in cash and in-kind donations to New Jersey nonprofits that focus on skill building, job training, and career development.

The DE&I Trailblazer Award in the ‘Corporate Citizenship – Small Business’ category went to Huntler Management. This minority-owned firm’s mission goes beyond being an industry leader in infrastructure and construction—it’s about making a meaningful difference in the communities it serves. One of its standout efforts is an annual partnership with the African American Chamber of Commerce of New Jersey, where the company provides Thanksgiving dinners — complete with turkeys and all the sides — to families in need in Trenton. In addition, the company regularly supports Elijah’s Promise in New Brunswick by collecting and distributing snack bags, and it proudly partners with Touch Link, which aids survivors of domestic violence, and MyGoal, which supports families affected by autism and other intellectual disabilities.

The DE&I Trailblazer Award in the ‘Workforce Diversity’ category went to CGI. CGI supports an inclusive culture committed to the wellbeing and growth of its team. Their success in this endeavor led to being named to TIME Magazine’s list of ‘World’s Best Companies’; and to Forbes magazine’s list of ‘Best Employers for Women,’ as well as being on lists recognizing DE&I practices and LGBTQ+ workplace inclusion. Here in New Jersey, the company is a partner with the New Brunswick P-Tech School District, which helps students from underserved communities pursue careers in STEM fields. A team of professionals from CGI mentors P-Tech students for the four to six years they spend in the program. Students can shadow the company’s consultants during the summer, attend internal meetings and sign up for a paid internship when they turn 18. These activities enable the students to get real-world corporate experience. It also familiarizes the students with the company’s culture, should they choose to work there after graduation.

The second DE&I Trailblazer Award in the ‘Workforce Diversity’ category went to Langan. Langan’s workforce of 1,700 employees, is comprised of 38% women and 31% people of color – both surpassing industry averages. In 2023, 41% of its new hires identified as women, and 39% were people of color. To ensure continued progress, the firm requires all employees to undergo awareness training, while executives and senior leaders participate in more in-depth DEI training. Supplier diversity is another area where this firm excels. It has awarded over $10 million to minority- and women-owned businesses in the tri-state area, accounting for more than 33% of the total contract values.

The DE&I Trailblazer Award in the ‘DE&I Influencer, category goes to Leon Baptiste, president of LB Electric Company. In 1999 he founded a 100% minority-owned contracting and engineering firm that has worked with major clients like PSEG, ConEd, and the Port Authority. Driven by a deep sense of responsibility to give back, in 2005 he launched a training center, in partnership with NJIT and local community colleges, to train inner-city youth, minority students, and re-entries in solar technology, preparing them for careers in renewable energy. His dedication to his community extends beyond business. He serves as chairman of NJIT’s Electrical & Computer Engineering Industry Advisory Board, mentors with the Port Authority of NY & NJ, and co-chairs the construction group for the African American Chamber of Commerce.

The DE&I Trailblazer Award in the ‘Statewide DE&I Champion’ category went to Hackensack Meridian Health. HMH has embedded diversity, equity, and inclusion at the heart of its mission. It even earned recognition as the No. 1 hospital system in the U.S. on Diversity Inc.’s “Top Hospitals & Health Systems” list for 2023. HMH established a Supplier Diversity Council that regularly meets to advance diversity initiatives. As for accountability, it developed software to track and measure its diverse supply chain. This work resulted in a 32% increase in supplier diversity spending in 2023, totaling $75 million.

Honoring Companies that are ‘Walking the Walk’

For the past two months, the two chambers have accrued an impressive list of nominees that represent a wide range of business sizes and industries. All of them have inspiring and uplifting stories to demonstrate how they moved diversity, equity and inclusion to the forefront of their business strategies.

The nominees considered were:

  • American Water
  • AmeriHealth
  • BND Consulting
  • Center for Family Services
  • CGI Technologies and Solutions Inc.
  • Comcast
  • Electra Lines LLC
  • Elevate 360 LLC
  • Emergency Pest Control
  • Empower Construction LLC
  • Hackensack Meridian Health
  • Huntler LLC
  • Langan
  • LB Electric Co., LLC
  • New Jersey Community Capital
  • New Jersey Department of State
  • Quality Dental School of Technology, Inc.
  • Qunnections Management Group, LLC
  • South Jersey Industries
  • Virtua Health
  • We Are Jersey

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About the African American Chamber of Commerce of New Jersey

The African American Chamber of Commerce of New Jersey (AACCNJ) performs an essential role in the economic viability of New Jersey. While providing a platform for New Jersey’s African American business leaders to speak with a collective voice, the AACCNJ advocates and promotes economic diversity fostering a climate of business growth through major initiatives centering on education and public policy. The AACCNJ is a proactive advocacy group with a 501(c)(3) tax exemption, as is the National Black Chamber of Commerce, with which the AACCNJ is affiliated. For more information, visit aaccnj.com

About the New Jersey Chamber of Commerce

The New Jersey Chamber of Commerce is a business advocacy association based in Trenton that lobbies key stakeholders for legislation and policies designed to make New Jersey a desirable state to operate a business and establish good-paying jobs. Chamber member companies receive exclusive invitations to events that offer valuable networking and educational opportunities. Additionally, the Chamber regularly disseminates legislative updates, industry insights, and employer-related news critical to conducting business in New Jersey. The organization unites local and regional chambers of commerce across the state to address significant business issues. The New Jersey Chamber of Commerce Foundation is committed to equipping New Jersey’s future workforce with the essential skills required for success in both college and employment. For more information, visit njchamber.com

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A Morris County Health Officer Now Leads State Association – Morris County, NJ

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Published on November 20, 2024

Named President of New Jersey Association of County and City Health Officials

2024 Morris County health officer The Morris County Board of County Commissioners congratulates Stephanie Gorman, a health officer in Morris County’s Division of Public Health, on being sworn in as president of the New Jersey Association of County and City Health Officials (NJACCHO) today at the New Jersey League of Municipalities Conference in Atlantic City.

The ceremony was held during the NJACCHO General Membership Meeting in the Atlantic City Convention Center, with the oath of office being administered by Morris County Commissioner Douglas Cabana, liaison to Morris County Department of Law and Public Safety.

“It was an honor to swear in Stephanie Gorman as president of NJACCHO,” said Commissioner Cabana. “Her leadership at both the county and state levels exemplifies Morris County’s dedication to public health and advancing critical health initiatives statewide.”

NJACCHO represents public health leaders from 104 local health departments across New Jersey’s 21 counties and 565 municipalities. For more than 113 years, the organization has worked to improve community health by promoting wellness, preventing disease, and protecting those who live, work, and visit New Jersey.

“As president, I aim to strengthen NJACCHO’s leadership, engage our members more deeply, and ensure the long-term stability of our executive team. Together, we will continue to build on our achievements, including managing $163 million in federal grants to support local health departments and modernizing public health systems across New Jersey,” said Gorman, underscoring her commitment to NJACCHO’s mission.

Gorman, who served as president-elect of the NJACCHO for the past year, has more than 17 years of public health experience. She started her career as a registered environmental health specialist in Pequannock Township before joining Morris County in 2014. In her role as a county health officer, she currently oversees the county environmental health program and local public health grant initiatives aimed at improving workforce professional development. She holds a Master of Public Health degree, along with certifications as a registered environmental health specialist and certified public manager.

“Stephanie’s dedication and leadership have made a significant impact on our local and state health systems, and her appointment to the position of NJACCHO president is a testament to her ability to break barriers and a recognition of her achievements,” said Carlos Perez, chief Health Officer in Morris County Division of Public Health.

Gorman has been a member of NJACCHO since 2014 and has served on its board of directors since 2018. As president, her focus will be on increasing member engagement and executive team stability in accordance with NJACCHO’s strategic plan. She is committed to modernizing the public health system and securing grant funding to support local health departments across New Jersey.

“NJACCHO’s achievements are the result of collaboration and innovation,” said Gorman. “With a dedicated volunteer board and the support of our executive director, Linda Brown, we will continue to ensure projects and investments enhance public health operations for years to come.”

For more information on NJACCHO’s initiatives, visit njaccho.org.

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Photo: (l-r) Commissioner Douglas Cabana, Stephanie Gorman, Carlos Perez, Commissioner John Krickus and Commissioner Deputy Director Stephen Shaw.

 

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Booker Introduces Bill to Strengthen Ethics Oversight on the Supreme Court

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Today, U.S. Senator Cory Booker (D-NJ) introduced legislation aimed at promoting ethical conduct and accountability for ethics violations within the U.S. Supreme Court. U.S. Representative Daniel Goldman (D-NY-10) introduced companion legislation in the House earlier this year.

Numerous allegations of ethical improprieties and undisclosed conflicts of interests and gifts, along with refusals to recuse by Supreme Court justices have eroded the public’s trust in the Court and increased demand for more transparency and accountability in the nation’s highest court.

The Supreme Court Ethics and Investigations Act is a critical first step towards improving ethical standards among the justices and holding justices accountable when they commit ethics violations. Specifically, the bill would establish two new offices within the Supreme Court:
1. An Office of Ethics Counsel that would provide regular ethics training and advise justices on ethics issues, including disclosing gifts and deciding when to recuse from cases.
2. An Office of Investigative Counsel that would investigate potential instances of ethical impropriety by justices and report the findings to Congress.

“There is no reason that the Justices who sit on the highest court in the country should be held to ethical standards that are lower than those of any employee in our federal government,” said Senator Booker. “There’s a crisis of confidence in the Supreme Court. Public trust in the institution is at its lowest point in decades as a result of alleged ethical lapses and conflicts of interest. By creating a mechanism to investigate and hold justices accountable for ethics violations and establishing an Ethics Counsel to provide consistent advice on issues like recusal, gifts, and disclosures, this bill is a critical step towards restoring the credibility of the Court in the eyes of the public.”

“Our nation’s highest court continues to face an unprecedented crisis of legitimacy, in part because there is no enforceable code of ethics nor accountability as required of all other federal judges,” Congressman Dan Goldman said. “I am thrilled that Senator Booker is leading the charge in the Senate to pass my ‘Supreme Court Ethics and Investigations Act.’ This legislation is a sorely needed step to hold Supreme Court Justices accountable and restore Americans’ faith in the Court.”

“Americans should be able to have faith in the integrity of the highest court in the land, but the justices rely on each other for ethical guidance, and have no one checking their work,” said Senator Hirono. “This legislation will help to address these issues by establishing offices to provide professional advice to justices on ethical matters and to investigate complaints made against them or their spouses. The American people should be able to trust that justices arrive at decisions fairly and objectively, and the Supreme Court Ethics and Investigations Act will help to hold the highest court in the land to the highest level of ethical accountability.”

This legislation is endorsed by the following organizations: Fix the Court, Citizens for Responsibility and Ethics in Washington (CREW), Accountable.US, End Citizens United (ECU), Project on Government Oversight (POGO), P Street, Court Accountability, and Demand Justice.

The Supreme Court Ethics and Investigations Act is cosponsored by U.S. Senators Richard Blumenthal (D-CT), Laphonza Butler (D-CA), Mazie Hirono (D-HI), Alex Padilla (D-CA), and Peter Welch (D-VT).

 

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Lewis Center for the Arts presents “The Amish Project”

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originally published: 11/21/2024

Princeton senior Caitlin Durkin, who will portray six characters in Jessica Dickey’s compelling drama, “The Amish Project.” Photo by Jon Sweeney

(PRINCETON, NJ) — The Lewis Center for the Arts’ Program in Theater and Music Theater at Princeton University presents The Amish Project, Jessica Dickey’s compelling drama that explores the aftermath of the 2006 shooting at an Amish schoolhouse in Nickel Mines, a small village in Lancaster County, Pennsylvania. Princeton senior Caitlin Durkin directs and portrays six characters forever transformed by the tragic event. Performances are on December 6-7, 2024 at 7:30pm in the Wallace Theater at the Lewis Arts complex on the Princeton campus.

Free and open to the public, tickets can be reserved through University Ticketing. The Wallace Theater is fully accessible with an assistive listening system. The December 7 performance will be open captioned. Guests in need of other access accommodations are invited to contact the Lewis Center at LewisCenter@princeton.edu at least one week prior to the event date.

Dickey’s play, which premiered at the New York International Fringe Festival on August 8, 2008, at the Players Loft, is a fictional exploration of the Nickel Mines schoolhouse shooting in an Amish community and the path of forgiveness and compassion forged in its wake.

On October 2, 2006, gunman Charles Roberts, 32, a non-Amish local resident invaded the one-room schoolhouse deep in Pennsylvania Amish country and eventually tied up and shot 10 Amish girls, five of whom died. Within hours, the local Amish community announced they had forgiven him, the shooting and response sending shockwaves around the world.


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The production includes references to gun violence and ideations of sexual assault.

The six characters Durkin will portray are Anna, a 14-year-old victim of the shooting; Carol Stuckey, widow of the gunman; Velda, a 6-year-old victim; Bill North, scholar and professor on Amish culture and spokesperson for the Amish families; gunman Eddie Stuckey, who shot himself at the end of the attack; and non-Amish resident Sherry Local. A seventh character in the play, America, a 16-year-old, pregnant grocery clerk, is being portrayed by first-year student Sofia Clark.

Durkin, a sociology major from Santa Monica, California, proposed the project as her independent work toward a minor in the Program in Theater and Music Theater, seeking a substantial acting and directing challenge. Students earning a minor take the course “Introduction to Theater Making,” four other theater, music theater, music, or dance courses, and provide non-performing support for one or two other program productions, with the option to propose a senior project in spring of their junior year. The program’s season is primarily shaped by the interests and proposals of the students pursuing the minor. Students’ senior projects are advised by the faculty with support from the professional staff in music, costumes, scenery, light, sound, stage management and producing. Any student can pursue the minor; no application or audition is required, and students with no prior experience are welcome.

Durkin has been involved in other Program in Theater and Music Theater projects. She played Gertrude in Hamlet in 2022 and originated the role of Buddy in Not Your Buddy in 2023. She also served as an assistant stage manager for the program’s massive production last fall of The Winter’s Tale. Durkin also performed as Nora in Theater Intime’s production of A Doll’s House in 2022 and is a member of the student group Fuzzy Dice Improv. Acting since the age of five, Durkin grew up studying and performing Shakespeare at Will Geer’s Theatricum Botanicum in Los Angeles, where she was a mainstage repertory company member for five years.

E. Keating Helfrich Debalak is the professional costume designer on the production. Students in production roles include Kat McLaughlin as lighting designer, John Wallar as sound designer, Avi Chesler as stage manager, and Roya Reese as assistant stage manager. The faculty producer is Tess James and faculty mentor on the project is Vivia Font.

Visit the Lewis Center website to learn more about this event, the Program in Theater and Music Theater, and the more than 100 public performances, exhibitions, readings, screenings, concerts, lectures, and special events presented by the Lewis Center each year, most of them free.


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Mayor Baraka Announces 2024 Creative Catalyst Fund Awardees

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originally published: 11/21/2024

Newark is for Artists mural by The Nork Project, photo by Chrystofer Davis.

(NEWARK, NJ) — On November 21, 2024, Mayor Ras J. Baraka announced the recipients of the 2024 Creative Catalyst Fund awards to provide artists and cultural groups with flexible grant support in recognition of the immense social and economic value the creative sector brings to Newark. The list of the awardees can be viewed here.

A selection committee composed of local artists, curators, community representatives, city staff and funders, recommended 168 applications for grants ranging from $1,000 to $20,000. 132 grants will be awarded to individual artists and artist collectives with an average award of $2,700; and 36 grants will be awarded to small and mid-sized arts organizations and creative businesses with an average award of $11,000.

“When people interact with art, we see a direct positive impact on our quality of life, creative placemaking and community revitalization, as well as improvements to our physical and mental health,” Mayor Baraka said. “These results, combined with the benefits to job creation, tourism, and economic development, make arts funding critical for infusing cities with added value and vitality.”

The Creative Catalyst Fund was created by Mayor Baraka and City of Newark Division of Arts and Cultural Affairs Director fayemi shakur in January 2020 as the City of Newark’s first-ever arts grant program. Since its launch at the beginning of the COVID-19 crisis, the fund awarded over 500 grants totaling $3.1 million to artists and organizations for programs serving hundreds of thousands of Newark residents and visitors, and hiring thousands of additional artists for their work supporting the projects. Grantees have used the funds to help pay for operating costs, space rentals, staff, programming costs, supplies and equipment, and COVID-related expenses.

“Artists breathe new life into every community they touch-so much so that even local governments are going the extra mile to ensure that these creators have resources they need to pursue their craft,” said Newark Symphony Hall President and CEO Talia Young. “Collaborative initiatives such as these help to ensure that Newark will continue to have strong pipeline of talented artists for our city.”


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Financial support from the fund has bolstered Newark’s creative community, which has vital contributions to civic economy, neighborhood revitalization, education, tourism, and an overall improvement in quality of life for city residents. The arts are estimated to contribute more than $178 million to Newark’s economy, support roughly 5,000 local jobs and generate $15.5 million in local and state taxes.

There is also a growing practice of “social prescribing” as a way for healthcare providers to address patients’ health and wellbeing with cultural activities. Studies have also shown a variety of social benefits with the availability of arts activities in otherwise under-resourced neighborhoods.

The Creative Catalyst Fund is administered by the city’s Division of Arts and Cultural Affairs and was designed and facilitated with the help of Bloomberg Associates, a philanthropic consultancy that advises cities around the world.

“Artists are our healers, our connectors, our truth tellers, and this inspiring list of Creative Catalyst Fund grantees shows our city’s strength to carry forward in trying times,” said Director shakur. “In this time of heightened political tensions, it is more critical than ever to support creativity and free expression.”

For more insight into Mayor Baraka’s arts initiatives spearheaded by the city’s Arts and Cultural Affairs, visit the city’s website.


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Pioneering Feminist Helène Aylon Gets Her Due at Princeton University Art Museum

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Pioneering Feminist Helène Aylon Gets Her Due at Princeton University Art Museum




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By Ilene Dube, JerseyArts.com

originally published: 11/21/2024

It was in the late 1970s, during the anti-nuclear movement, that artist Helène Aylon noted how, in news photos of refugees, there are always images of women fleeing with a sack of precious belongings in one hand, a child clasping the other hand.

“We, too, would take our most precious belonging – the Earth itself … in our ‘sac’ and carry it to safety,” she said of her project “Terrestri: Rescued Earth.”

Elements from Aylon’s pioneering eco-feminist project are on view in Helène Aylon: Undercurrent, curated by Rachel Federman, at the Princeton University Art Museum’s Art@Bainbridge through February 2.

Helène Aylon , Terrestri: “Rescued” Earth (Sunrise Departure), May 2, 1982. Chromogenic print. Courtesy of Helène Aylon Estate and Leslie Tonkonow Artworks + Projects, New York

In 1982, Aylon organized a group of women artists to embark on a six-week journey for her “Earth Ambulance” – a re-outfitted truck – from California to a mass rally for disarmament at the United Nations. The “Women’s SAC Caravan” used the acronym to denote Strategic Air Command and the mantra “survive and continue.”


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The “sacs” they carried – a deliberate misspelling of sack – were fashioned from pillowcases, a tool for survival and a symbol of a place to rest.

At each site, members were joined by local participants to gather earth in sacks that women had inscribed with their dreams and nightmares for the planet. The sacks were emptied near the U.N., and Army stretchers on which they were transported were raised like funerary monuments.

Aylon, who died in 2020 from complications of COVID-19, is now being recognized as a visionary. Women activists fighting for the future of our planet seems more timely than ever. The artist, who has been breaking ground in how we look at the environment, women’s bodies, and spiritual practice since the 1970s, considered her artwork to be “the handwriting of the universe.” In 2016, she was awarded the Women’s Caucus for Art Lifetime Achievement Award.

“The Book that Will Not Close,” exhibited here, is a religious tome that fans open into a papery arc. Working by candlelight and using a pink highlighter, Aylon inserted a line wherever the feminine presence was absent, laying her marks on a translucent sheet placed over each page, obliterating all the phrases that convey misogyny or patriarchal attitudes. She is attempting to show that G-d, as Aylon spells the divine, has been hijacked by men.

In 1985, for the 40th anniversary of the Hiroshima and Nagasaki bombings, she floated sacks of seed, grain, pods and bamboo on the rivers to those two cities. A video of the floating sacks was projected on the Sony Jumbotron in Times Square in 1995 and can be seen here as well.

Born Helène Fischer in 1931 and raised in the Orthodox Jewish tradition in Brooklyn, N.Y., Aylon married a rabbi when she was 18. The couple moved to Montreal and had two children, but her husband died of cancer. Helène, 30, and the children returned to Brooklyn. She created a new surname for herself, Aylon, based on the Hebrew name for Helène, Aylonna. She studied art with Abstract Expressionist Ad Reinhardt at Brooklyn College, and her own abstract art was influenced by painters Grace Hartigan and Lee Krasner.

She read the works of poets Adrienne Rich and Maya Angelou, and learned that she could be both a mother and an artist simultaneously. In 1965 she received a commission to create a 16-foot mural at a synagogue at JFK International Airport that portrayed Judaism through the eyes of women. Aylon took off for Berkeley, California, landing a job teaching drawing and painting at San Francisco State University.


Helène Aylon, Terrestri: “Rescued” Earth (Earth ‘Paintings’) in front of the Isaiah Wall, Ralph Bunche Park, New York, June 12, 1982. Black and white print; 35.6 × 27.9 cm. Courtesy of Helène Aylon Estate and Leslie Tonkonow Artworks + Projects, New York

She began creating a series of works that involved pouring linseed oil on paper or panel. It was all about relying on chance and the resultant transformation.

The cover of her 2012 memoir, “Whatever is Contained Must Be Released: My Jewish Orthodox Girlhood, My Life as a Feminist Artist” (The Feminist Press, 2012) shows the artist coming into her own with a full mane of untamed curly hair, dressed in black trousers and a black blouse with a deep V-neck. In the book she recounts how, as her mother instructed her to be a good girl, she was fermenting ground-breaking work that would be exhibited at Betty Parson’s Gallery, the Whitney, MoMA, the San Francisco Museum of Modern Art, the Andy Warhol Museum and the Jewish Museum.

“I was already developing an aesthetic during my preadolescence” and it didn’t include “schmaltz,” she writes. Along the way she met the likes of artist Mark Rothko (Reinhardt introduced her to Rothko, “who came from a similar background,” says Curator Federman. “She was inspired by the mystical underpinnings of his work, and the way it reveals itself over time”), critic Peter Schjeldahl, and playwright Edward Albee.

Federman, who is at work on a biography of gallerist Betty Parsons, met Aylon in 2014 when, as a curator at the San Francisco Museum of Modern Art, she was facilitating a gift of Aylon’s work. “We met in a storage facility in San Francisco, where she kept work from the period when she lived in the Bay Area (1973-1982),” recounts Federman. “She had an aura about her; she often dressed in flowing robes and head wraps.”

Subsequently, as curator in modern and contemporary drawings at the Morgan Library in New York, Federman included Aylon’s work in an exhibition. “Many of her works from throughout her career were created using unusual materials and techniques on paper.”

In the mid-1960s, when her children were older, Aylon devoted herself to becoming an artist, taking a studio in the East Village and commuting from Brooklyn’s Borough Park. “She was living between worlds during this period. It was the feminist movement, however, that showed her a way forward and made her an activist as well as an artist.

“Like many women in the 1970s,” continues Federman, “Aylon attended consciousness-raising groups, which was one of the ways she connected with fellow artists and writers. She became involved with institutions around the feminist movement in Berkeley, California, where she moved in 1973.”

After teaching at San Francisco State and the Berkeley Feminist Institute, she earned a master’s degree in Women’s Studies/Art Education from Antioch College West in 1980. “Over the years, her collaborators included her students, as well as Mierles Laderman Ukeles, Howardena Pindell, Meredith Monk, and Susan Griffin. She was a loving and supportive friend, and many of her relationships stemmed from this fact.”

Helène Aylon (1931 – 2020; born, Brooklyn, NY; died, New York, NY), I Will Wait for the Landing, from the series Turnings, 2014. Chromogenic print mounted on board; 45.7 × 76.2 cm. Collection of Helène Aylon Estate, Courtesy of Leslie Tonkonow Artworks + Projects, New York


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In 1979, Betty Parsons Gallery gave Aylon a show. “Parsons was always open to new talent,” says Federman. “Aylon was beginning (a series of paintings that) encapsulated her desire to allow ‘the art to tell me something that I did not know.’ These were abstract works on paper that developed over time, like aging or scarring skin. Parsons… was spiritually inclined and often spoke of manifesting the ‘invisible presence’ in her own art. Aylon was very devoted to Parsons, who died in 1982.”

After the show at Parsons, Aylon fell into obscurity for about 40 years. “Aylon did not have a dealer again until shortly before her death,” says Federman. “Part of this owes to the fact that throughout the ’80s, she was taking her work outside the studio to create performances and other time-based actions and installations, which are not easily marketed. In the 1990s and 2000s, Aylon undertook a huge project addressing her complex relationship with Judaism (‘The G-d Project: Nine Houses without Women’). Many people encountered her for the first time in this context — for example, in the show Too Jewish?, at the Jewish Museum in 1996. It may have been difficult for those encountering this body of work to understand how it connects to her earlier art, but it does!”

In her memoir, Aylon writes “It was only at the age of 60 that I dared to ‘come out’ as a formerly Orthodox Jew.”

“She shifted her attention away from Orthodox practice and textual interpretation to a more mystical strain of Judaism, Kabbalah, which means ‘receiving,’” notes Federman. In California in the ’70s, she attended the Aquarian Minyan, a radical egalitarian community where Kabbalism was taught. “This allowed her to retain a connection with Judaism, which was an undeniable part of her formation.

“It was only later, after she had spent nearly a decade engaged in tikkun olam (repairing the world — a Kabbalistic idea) through her ecological activism, that she decided to go back to the source, and to take on the texts and practices that she found so problematic.”

In her video “Written Behind my Back,” the artist, shrouded in a white garment, appears against a white wall, as Hebrew words float across her. In the voice-over narration we hear: “Locusts will demolish you, worms will consume you because you have not obeyed. You will eat the flesh of your sons and daughters. He will bring back the Egyptian illnesses and plagues for you have not obeyed your god… your corpse will be free for all the birds in the sky and the animals.”

And, in English text across the screen: “When it became my turn to kiss you I turned my back on you. I could not see what was written behind my back. Once I was your Sabbath bride. Your words were strung like pearls. Now I carry your weight on my back.”

“Anyone who takes the time to familiarize themselves with Aylon’s art will be convinced that she was a major artist, brilliant in many ways, and deserving of the attention that largely eluded her,” says Federman. “She used her talents as an artist and her conviction as a feminist to illuminate the beauty of creation, the necessity of human connection, and the need for healing on every level: human, environmental, and spiritual.”




About the author: Driven by her love of the arts, and how it can make us better human beings, Ilene Dube has written for JerseyArts, Hyperallergic, WHYY Philadelphia, Sculpture Magazine, Princeton Magazine, U.S. 1, Huffington Post, the Princeton Packet, and many others. She has produced short documentaries on the arts of central New Jersey, as well as segments for State of the Arts, and has curated exhibitions at the Trenton City Museum at Ellarslie and Morven Museum in Princeton, among others. Her own artwork has garnered awards in regional exhibitions and her short stories have appeared in dozens of literary journals. A life-long practitioner of plant-based eating, she can be found stocking up on fresh veggies at the West Windsor Farmers Market.

Content provided by Discover Jersey Arts, a project of the ArtPride New Jersey Foundation and New Jersey State Council on the Arts.

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Theatre

Theatre Fest Fall 2024 – Music and Theatre Collaboration: Celebrating Stephen Sondheim

Friday, November 22, 2024 @ 8:00pm
Monmouth University – Lauren K. Woods Theatre
370 Cedar Avenue, West Long Branch, NJ 07764
category: theatre

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Harry

Harry Potter and the Cursed Child (HS Edition)

Friday, November 22, 2024 @ 7:00pm
Grunin Center
1 College Drive, Toms River, NJ 08754
category: theatre

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2024

2024 Princeton Dance Festival

Friday, November 22, 2024 @ 8:00pm
McCarter Theatre Center (Berlind Theatre)
91 University Place, Princeton, NJ 08540
category: dance

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Fall

Fall Dance Plus

Friday, November 22, 2024 @ 7:30pm
New Brunswick Performing Arts Center (NBPAC)
11 Livingston Avenue, New Brunswick, NJ 08901
category: dance

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An

An Evening With Cher: The Memoir

Friday, November 22, 2024 @ 7:00pm
Bergen Performing Arts Center (bergenPAC)
30 North Van Brunt Street, Englewood, NJ 07631
category: music

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Lucinda

Lucinda Williams and her band

Friday, November 22, 2024 @ 7:30pm
McCarter Theatre Center (Matthews Theatre)
91 University Place, Princeton, NJ 08540
category: music

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Axelrod

Axelrod Performing Arts Academy presents Disney’s “Alice in Wonderland, Jr.”

Friday, November 22, 2024 @ 7:00pm
Bell Theater
101 Crawfords Corner Road, Holmdel, NJ 07733
category: theatre

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Elf

Elf The Musical

Friday, November 22, 2024 @ 7:00pm
Count Basie Center for the Arts
99 Monmouth Street, Red Bank, NJ 07701
category: theatre

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Shemekia

Shemekia Copeland

Friday, November 22, 2024 @ 7:30pm
Lizzie Rose Music Room
217 E. Main Street, Tuckerton, NJ 08087
category: music

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KC

KC and The Sunshine Band

Friday, November 22, 2024 @ 8:00pm
Mayo Performing Arts Center (MPAC)
100 South Street, Morristown, NJ 07960
category: music

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Fiddler

Fiddler On The Roof

Friday, November 22, 2024 @ 11:00am
Axelrod Performing Arts Center
100 Grant Avenue, Deal Park, NJ 07723
category: theatre

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Villanova and Maryland to Face Off in the 2024 Saatva Empire Classic at the Pru on Sunday!

Villanova and Maryland will meet in a thrilling matchup on Sunday, November 24, in the Showcase Game of the 2024 Saatva Empire Classic, benefiting the Wounded Warrior Project. The game will take place at the Prudential Center in Newark, New Jersey, offering basketball fans an exciting display of top-tier collegiate talent for a great cause.

This will mark Villanova’s fourth appearance in the prestigious Empire Classic, where they hold a 5-2 all-time record. The Wildcats previously claimed the championship in 2020, showcasing their consistent excellence in the event. Meanwhile, Maryland also returns for their fourth appearance, boasting a 7-3 record in the history of the Empire Classic. The Terps captured the championship in 2006, further solidifying their legacy in the tournament.

With both teams bringing impressive histories and a competitive edge, this highly anticipated game promises to be a thrilling contest between two powerhouse programs.

Fans can look forward to high-level basketball action while supporting the Wounded Warrior Project, making it a meaningful event both on and off the court.

Gov. Phil Murphy Updates on Rail Improvements, $300 Million Federal Grant Secured for Aging Infrastructure

New Jersey Governor Phil Murphy provided an update on the ongoing efforts to address the issues commuters faced this summer with the state’s rail systems, particularly along the heavily traveled route from Trenton to New York City. Murphy, accompanied by officials from Amtrak and New Jersey Transit, discussed the progress made in addressing the rail disruptions, which plagued many riders in 2024.

As part of a focused effort, over 200 miles of catenary overhead wire systems were inspected, with more than 2,000 hardware components either repaired or replaced, according to Murphy. These improvements aim to prevent incidents that had left many commuters stranded, particularly during the summer months. In addition to physical repairs, officials emphasized that no single, specific cause for the disruptions was found. NJ Transit President Kevin Corbett stated that the investigation did not uncover a “smoking gun” or any systemic failures related to the electricity-carrying devices on the tracks.

Amtrak CEO Stephen Gardner reassured riders that service has now returned to expected levels of on-time performance, addressing the frustrations many commuters faced when summer service was marred by delays and stranded trains. However, both Murphy and Corbett acknowledged that the infrastructure, much of which is aging, still requires significant replacement to ensure the reliability of the rail system. The federal government has awarded New Jersey $300 million for these upgrades, though the funds are not yet guaranteed, and additional funding will be necessary.

Murphy highlighted that discussions with President-elect Trump had centered on the progress of the Portal North Bridge project, an important infrastructure initiative for the region. While optimistic about its completion next year, Murphy noted that there is still work to be done, with some of the money from the federal grant earmarked for the Sawtooth Bridges—an area that could cause further delays in the short term. However, it remains unclear how much additional funding will be needed to fully modernize the system, with detailed studies taking up to two years before a clearer estimate is available.

On a separate note, Murphy also announced a toll increase for both the New Jersey Turnpike and Garden State Parkway. The average toll on the turnpike will rise by 16 cents, while tolls at most Garden State Parkway barrier plazas will go up by 8 cents, with a slight increase at entrance and exit ramps as well. These toll hikes are part of a broader effort to fund infrastructure improvements, including those on the rail network.

The announcements signal that while progress is being made, there is still considerable work to be done to address the state’s aging transportation infrastructure and ensure that New Jersey’s commuters have a more reliable and efficient rail system.

New Jersey Rare Bird Alert – Week of November 20, 2024

This week’s birding scene in New Jersey has been particularly exciting, with a variety of rare and unusual species spotted across the state. Highlights include several goose species, numerous cranes, rare sandpipers, and notable raptors, along with a surprising number of hummingbirds.

Geese and Ducks:

  • The Greater White-fronted Goose was spotted in Bergen and Hunterdon counties, with multiple sightings across the region.
  • Cackling Geese were reported in Mercer, Bergen, and Warren, a smaller species often mistaken for Canada Geese.
  • Eurasian Wigeons have been spotted in Atlantic and Monmouth counties, with additional sightings in Ocean this week. These Eurasian counterparts to the American Wigeon are always exciting for birders.
  • American Coot was reported in Mercer, a rare sight this time of year, and an American Golden-Plover was seen in Cape May and Atlantic counties.

Sandhill Cranes:

  • Both Greater and Lesser Sandhill Cranes were spotted in Cape May, with reports from multiple locations including Mercer and Burlington. These cranes are a popular fall sight in New Jersey and add a dramatic presence to the landscape.

Shorebirds:

  • Wilson’s Snipe was seen in Passaic, and Pectoral Sandpipers were reported in Sussex. A range of sandpipers, including White-rumped and Semipalmated Sandpipers, were spotted in Atlantic and Ocean counties. Notably, Red Knot sightings continue in Atlantic.

Raptors and Owls:

  • American Goshawks were seen in Cape May and Monmouth, with multiple reports, suggesting a strong presence this week.
  • The Snowy Owl in Union County continues to draw attention, along with Barred Owls in Mercer and Monmouth counties.
  • The Golden Eagle was spotted in Passaic, making this a standout week for raptor enthusiasts.

Hummingbirds:

  • The excitement for hummingbird watchers continues, with Ruby-throated Hummingbirds in Cape May and Ocean counties, along with Rufous Hummingbirds spotted in Somerset.

Other Notables:

  • Black-headed Gull was seen in Cape May, and a Glaucous Gull was reported in Hunterdon. Both are rare but occasional winter visitors to New Jersey.
  • Red-billed Tropicbird was seen off the coast of Cape May, a particularly rare bird for New Jersey, especially this time of year.
  • Baltimore Orioles were reported in Mercer, Monmouth, and Somerset, reminding us that some migrants are lingering longer than expected.

Warblers and Other Passerines:

  • Several warbler species have been making their presence felt, including a Black-and-white Warbler in Cape May and an Orange-crowned Warbler in both Essex and Union counties. Pine Warblers have been spotted in Mercer and Essex, and a Tennessee Warbler was seen in Camden.

Sparrows and Finches:

  • Lark Sparrows in Monmouth and White-crowned Sparrows (Gambel’s) in Somerset are always exciting. Additionally, Purple Finch sightings have been consistent in Burlington and surrounding counties, while Red Crossbill was reported in Burlington.

This week’s Rare Bird Alert reflects a diverse range of species, from waterfowl to shorebirds and songbirds, as well as a number of owls and raptors. The influx of hummingbirds, cranes, and warblers makes it an exceptional week for birdwatching in New Jersey!