Kim’s Convenience
2026-01-23 08:00 - 2026-02-15 17:00 (America/New_York) | McCarter Theatre Center, 91 University Place, Princeton, NJ, Princeton, New Jersey, 08540, United States
김씨네 편의점

A Neighborhood Story Takes Center Stage as McCarter Theatre Celebrates Korean Culture Through Community Partnership

When McCarter Theatre opens the doors to its Berlind Theatre this winter, it will not simply be raising the curtain on a beloved play. It will be creating a broader cultural moment that extends well beyond the stage, rooted in local connection, shared heritage, and the lived experiences of New Jersey’s diverse communities. From January 23 through February 15, 2026, McCarter will present Kim’s Convenience, the acclaimed stage work by Ins Choi that inspired the global Netflix phenomenon, while simultaneously deepening its community ties through a meaningful partnership with Woo Ri Mart, the longtime family-owned Korean grocery store based in West Windsor.

The collaboration reflects a growing emphasis at McCarter on storytelling that resonates both artistically and culturally. Kim’s Convenience centers on the Kim family, Korean immigrants who operate a small neighborhood convenience store, and explores generational divides, identity, economic pressure, and the quiet heroism of everyday life. By partnering with Woo Ri Mart, McCarter is grounding the production in the real-world experiences that mirror the play’s narrative, inviting audiences to engage not just as ticket holders, but as neighbors.

For many patrons, the story of Kim’s Convenience feels instantly familiar. At the heart of the play is Appa, the stubborn but deeply loving patriarch who has poured his life into the family store, believing it to be both his legacy and his bridge to the future. As outside developers circle and family relationships strain under the weight of unspoken expectations, humor and tenderness collide in a story that balances laugh-out-loud moments with emotional honesty. The play runs a brisk 90 minutes with no intermission, allowing the narrative to unfold with momentum and intimacy.

This production arrives at McCarter with considerable pedigree. Originally developed and premiered in Toronto, Kim’s Convenience became a theatrical success long before it was adapted for television. Its transition to the small screen introduced millions to the Kim family, but the stage version retains a unique immediacy, allowing audiences to feel the rhythms of the store, the silences between conversations, and the cultural nuances that can sometimes be softened in translation to television. The production is presented by McCarter Theatre in collaboration with Soulpepper Theatre Company and Adam Blanshay Productions, in association with American Conservatory Theater, underscoring its national significance.

Direction for this run is by Weyni Mengesha, whose work has been widely praised for its sensitivity and clarity in handling stories rooted in cultural specificity while speaking to universal themes. Under her guidance, the Berlind Theatre becomes an extension of the neighborhood corner store at the center of the play, a space where humor, conflict, and affection coexist in equal measure.

Adding to the excitement surrounding the production, McCarter has announced additional performances due to strong early demand. Tuesday evening shows have been added on February 3 and February 10, both beginning at 7:30 pm, expanding access for audiences eager to experience the production. Select performances will feature James Yi in the role of Appa, including afternoon and morning matinees that are expected to draw a wide cross-section of theatergoers.

The partnership with Woo Ri Mart elevates the experience beyond the auditorium. As a trusted fixture in West Windsor, the grocery store represents the kind of family-run business that anchors communities and preserves cultural traditions across generations. By aligning with Woo Ri Mart, McCarter is acknowledging the real-life counterparts to the fictional Kim family and creating opportunities for cultural exchange, education, and celebration around the production. For audiences, this connection reinforces the authenticity of the story unfolding on stage.

This approach reflects a broader trend within New Jersey’s performing arts landscape, where theaters are increasingly serving as hubs for civic engagement and cultural dialogue. McCarter’s willingness to extend the reach of Kim’s Convenience into the surrounding community aligns with the spirit found throughout the state’s vibrant arts scene, as highlighted across Explore New Jersey’s coverage of local performance and culture within its theatre and performing arts section. The result is an experience that feels both intimate and expansive, honoring a specific cultural story while welcoming audiences of all backgrounds.

Kim’s Convenience ultimately asks timely questions about legacy, belonging, and the cost of holding on in a rapidly changing world. As redevelopment pressures mount and generational values collide, the Kim family’s story reflects the challenges faced by countless families across New Jersey and beyond. McCarter Theatre’s presentation ensures those questions are explored with warmth, humor, and respect, while its partnership with Woo Ri Mart grounds the production in the lived reality of the community it represents.

When the lights dim at the Berlind Theatre this winter, audiences will not just be watching a play that inspired a television hit. They will be stepping into a shared cultural space where storytelling, community, and heritage intersect, reaffirming McCarter Theatre’s role as one of New Jersey’s most vital artistic institutions.

44th Bi-Annual New Jersey Film Festival
2026-02-06 18:00 - 2026-02-08 23:30 | Rutgers Film Co-op/New Jersey Media Arts Center, 4170 Academic Building - 15 Seminary Place, New Brunswick, New Jersey, 08901-8525, United States
New Jersey Film Festival Returns in 2026 with Expanded Hybrid Screenings and 45 Premieres Across Multiple Weekends

The Garden State’s film community is already buzzing as the 44th Bi-Annual New Jersey Film Festival prepares to roll out the red carpet from January 23 through February 22, 2026. Presented by the Rutgers Film Co-op and the New Jersey Media Arts Center, this highly anticipated event will once again blend the best of both worlds with a hybrid format, offering audiences the flexibility to enjoy screenings either in person at Rutgers University in New Brunswick or online through a video-on-demand platform.

For more than four decades, the New Jersey Film Festival has served as a cornerstone of independent cinema in the state, spotlighting groundbreaking filmmakers, daring new voices, and powerful storytelling that transcends borders. The upcoming winter edition promises to be one of its most ambitious yet, featuring 45 diverse films, including New Jersey and regional premieres, exclusive screenings, and special guest appearances from filmmakers and industry professionals.

Among the standout titles slated for screening are B.F. Skinner Plays Himself, Arrested at Delaney Hall, Portrait of a Monastery, ANDA, Don’t Look in the Dark, The Shoshani Riddle, and Sum Function. Two documentaries, Mama’s Voice and Zinema, will also shed light on the human impact of the Russian invasion of Ukraine—illustrating the festival’s ongoing commitment to socially conscious and globally resonant storytelling.

Each festival weekend will showcase an eclectic mix of narrative features, documentaries, shorts, and experimental works, giving audiences an opportunity to discover fresh perspectives and emerging talent from around the world. Both film lovers and casual viewers can expect an immersive experience that highlights innovation, creativity, and the emotional depth of modern cinema.

The hybrid structure allows ticket holders to tailor their festival experience. Online screenings will be available for 24 hours on their designated show dates, while in-person showings will take place on select Fridays, Saturdays, and Sundays throughout the festival’s run. General admission is priced at $15 per program, $10 for students attending in person, and $120 for an All-Access Pass, which grants entry to all screenings—both virtual and live.

Beyond the films, the festival will also host two free filmmaking workshops that provide invaluable insight into the art and business of moviemaking. “The Film Business” session will be held on February 1, offering guidance for aspiring filmmakers navigating the industry, while the “Intro to Filmmaking” workshop on February 15 is designed to help beginners understand the essentials of storytelling through film. Space for these workshops is limited, and advance registration is required.

The New Jersey Film Festival has long been recognized as a vital platform for independent creators, giving them the opportunity to connect directly with audiences, critics, and fellow artists. Each year, the festival draws participants from across the country and abroad, reinforcing New Jersey’s reputation as a thriving hub for arts and culture.

With its mix of virtual access, local engagement, and an ever-expanding roster of talent, the 2026 edition reaffirms the festival’s dedication to accessibility and creative excellence. As it celebrates more than 40 years of cinematic tradition, the event continues to evolve with technology while maintaining its intimate, community-centered spirit.

To stay up to date on film festivals and arts events happening throughout the state, visit Explore New Jersey’s Film Festivals section for the latest updates, event coverage, and insider previews of New Jersey’s growing film scene.

To buy screening tickets click on this link: https://watch.eventive.org/newjerseyfilmfestivalspring2026

To buy an All Access Pass click on this link: https://newjerseyfilmfestivalspring2026.eventive.org/passes/buy

Hand Me Down the Silver Trumpet
2026-02-06 19:00 - 2026-02-15 23:30 | Walter K. Gordon Theater, 314 Linden Street, Camden, New Jersey, 08102, United States
Rutgers–Camden Theater Opens 2026 with Celebration of Jazz, Blues, and African American Musical Legacy

The Rutgers–Camden Theater begins 2026 with a captivating tribute to the rich history of African American music. Kenneth Elliott’s production, Hand Me Down the Silver Trumpet, honors the pioneering artists of the 1920s and 1930s who recorded “race records” for the Victor Talking Machine Company, preserving a legacy of blues, jazz, and spirituals that continues to resonate today.

This dynamic production brings together an ensemble of talented students, alumni, and special guest performers, accompanied by a swinging live band that channels the vibrant energy of the era. Audiences can expect an immersive experience that not only showcases timeless classics but also celebrates the cultural significance of these early recordings, which played a critical role in shaping American music and influencing generations of artists.

Hand Me Down the Silver Trumpet highlights the artistry, innovation, and resilience of musicians whose contributions often went unrecognized in their time. Through careful curation of songs, storytelling, and live performance, the show transports audiences to the heart of 1920s and 30s American music scenes, from smoky clubs to the recording studios that captured the sounds of the era.

The Rutgers–Camden Theater continues to position itself as a hub for transformative performances, offering productions that connect audiences with both history and contemporary artistry. By featuring works like Elliott’s, the theater underscores its commitment to diversity in programming while also educating the community about the profound cultural impact of African American musicians. Those interested in exploring more about local theater and performing arts in the region can discover additional offerings and events through theatre in New Jersey.

As this production opens the new year, it not only celebrates musical heritage but also inspires a renewed appreciation for the stories and sounds that shaped the cultural landscape. By merging historical tribute with live performance, Rutgers–Camden invites theatergoers to experience the enduring spirit of American music and the artists whose voices continue to echo across generations.

No One is Forgotten: An Immersive Opera Drama
2026-02-07 16:00 - 2026-02-08 23:30 | Wallace Theater – Lewis Center for the Arts, 122 Alexander St, Princeton, New Jersey, 08544, United States
“No One is Forgotten”: Princeton Brings an Immersive Opera Drama into the Heart of New Jersey Arts

Princeton’s Lewis Center for the Arts is poised to challenge audience expectations and redefine the boundaries of theatrical storytelling with its upcoming presentation of No One is Forgotten: An Immersive Opera Drama. Scheduled for February 7 at 7:00 pm and February 8 at 2:30 pm at the Wallace Theater, this groundbreaking work-in-progress promises a sensory and emotional journey that merges music, theatre, and immersive sound design in ways rarely seen on New Jersey stages.

The production is part of the Program in Theater & Music Theater’s commitment to nurturing innovative performance projects, offering the public a chance to witness a work in development that is both experimental and profoundly human. No One is Forgotten follows Lali and Beng, a journalist and an aid worker, who find themselves held in captivity. With no one knowing their whereabouts or safety, their survival depends on their bond, resilience, and the small moments of hope they create together. The drama blends spoken performance with operatic vocalization, cello accompaniment, and intricate theatrical foley, constructing a soundscape that envelops audiences directly into the characters’ confined world.

The creators of the piece—playwright Winter Miller, co-composers Paola Prestini and Sxip Shirey—designed the work to explore dualities: captivity and freedom, fear and hope, despair and laughter. Rather than relying on a conventional cast, the production uses two actors and two vocalists to explore the tension between physical imprisonment and emotional escape through music. Audiences are drawn into a narrative that is at once moving, surprisingly humorous, and deeply resonant with contemporary struggles, from the perils facing journalists abroad to broader questions about captivity in society, including forced detainment, trafficking, and family separations at borders.

Miller’s original inspiration stems from observing the growing risks journalists face globally, highlighting the urgency of storytelling as a tool for advocacy and awareness. By blending operatic performance with immersive sound techniques, the production not only dramatizes survival but invites the audience to reflect on their own experiences of constraint and resilience. Each note, each sound effect, and every foley element is carefully calibrated to place viewers inside the psychological and emotional reality of those enduring extreme circumstances.

This project benefits from the Princeton Humanities Council’s Magic Project funding, supported by the David A. Gardner ’69 Magic Grant, and is produced in collaboration with the Lewis Center for the Arts. The presentation also emphasizes accessibility and audience engagement. The Wallace Theater is fully wheelchair accessible and equipped with assistive listening technology, ensuring that the immersive experience reaches as many participants as possible.

In addition to the performances, February 8 will feature a panel discussion titled “What Art Can Do That Journalism Cannot,” featuring insights from Eliza Griswold, Director of Princeton’s Program in Journalism, and Aleksandar Hemon, Professor of Creative Writing. This dialogue promises to deepen audience understanding of how art and storytelling intersect with the realities of global conflict, freedom, and advocacy.

Tickets for No One is Forgotten are free but require advance reservation through University Ticketing, ensuring a welcoming, organized environment for the performances. Directions to the Wallace Theater are straightforward: enter the Lewis Arts complex through the main Forum-level doors opposite the Princeton NJ Transit Station and Wawa, where all other doors remain locked on weekends.

The creative team behind this ambitious work represents some of the finest talent in contemporary theater and music. Alongside Miller, Prestini, and Shirey, the production features direction by Elena Araoz, music direction by Mila Henry, and sound design led by Lucas Corrubia. Stage management, lighting, and production coordination are handled by a team committed to bringing this immersive vision to life, ensuring that every technical and artistic element contributes to the audience’s full engagement.

Performers include Ellen McLaughlin and Amelia Workman in spoken roles, with Eve Gigliotti and Brandie Inez Sutton providing operatic vocals. The musical environment is further enriched by the contributions of cellists Jeffrey Zeigler and Mark Serkin, along with expert foley artistry by Nathan Repasz. This combination of talent and technical ingenuity underscores the production’s innovative approach to storytelling, where sound, movement, and voice converge to create an unforgettable theatrical experience.

For those looking to expand their cultural exploration beyond traditional stage offerings, Princeton’s presentation is a rare opportunity to witness a work that merges opera, theater, and immersive sound into a singular, transformative experience. Audiences eager to engage with experimental theater in New Jersey can explore additional offerings through Princeton’s vibrant [theatre] programs, connecting with a broader landscape of performance that continues to push creative boundaries and challenge perceptions.

By presenting No One is Forgotten, the Lewis Center for the Arts demonstrates that New Jersey is not only a hub for established artistic performance but also a laboratory for pioneering works that speak to contemporary issues, human resilience, and the enduring power of storytelling to transform understanding.

Creative Team

Playwright & Librettist: Winter MillerCo-composer & Orchestrations: Paola PrestiniCo-composer & Underscoring: Sxip ShireyDirector: Elena AraozMusic Director & Conductor: Mila HenryFoley Design & Sound Effects: Sxip ShireySound Design: Lucas CorrubiaLighting Design: Jenna Mullin ’27Creative Producer & Co-Executive Producer: Eve GigliottiExecutive Producer: Cath BrittanStage Manager: Rose TablizoAsst. Sound Design: E.M. JimenezAsst. Sound Design: Jon McCarthy

Performing Artists

Beng (spoken): Ellen McLaughlinBeng (sung): Eve GigliottiLali (spoken): Amelia WorkmanLali (sung):Brandie Inez SuttonCello: Jeffrey ZeiglerFoley Arts: Nathan RepaszCello (cover): Mark SerkinRehearsal Pianist: Nathaniel LaNasa

Original Opera Drama Co-commissioned by The Dallas Opera, Emitha/Lexicon Classics & Eve Gigliotti

Beethoven & Grieg Featuring Michelle Cann
2026-02-07 18:00 - 2026-02-08 23:30 | McCarter Theatre Center, 91 University Place, Princeton, NJ, Princeton, New Jersey, 08540, United States
Grammy-Winning Pianist Michelle Cann Brings Virtuosity to Princeton Symphony Orchestra This February

This February, the Princeton Symphony Orchestra will welcome one of the most dynamic and versatile pianists performing today. Two-time GRAMMY Award winner Michelle Cann, widely recognized for her advocacy of Florence Price’s works and her mastery across a broad repertoire, will take center stage in Richardson Auditorium for two performances on February 7 and 8. Audiences can anticipate a program that fuses mid-Romantic brilliance with contemporary innovation, showcasing Cann’s signature depth of interpretation and technical command.

Cann will perform Edvard Grieg’s iconic Piano Concerto in A Minor, Op. 16, a work renowned for its dramatic sweep and lyrical melodies. The concerto remains one of the pillars of Romantic piano literature, demanding both expressive nuance and virtuosic agility. Cann’s engagement with this repertoire promises to illuminate the concerto in ways that honor its historical significance while highlighting her own distinctive voice. Critics have consistently praised her ability to balance power and sensitivity, bringing the score alive with vibrant phrasing and intricate detail.

The evening will also feature Jessie Montgomery’s Records from a Vanishing City, a contemporary work by the 2024 GRAMMY® recipient. Montgomery’s music blends classical tradition with elements of jazz, folk, and urban soundscapes, offering a modern narrative that resonates with today’s audiences. Cann’s presence on the program provides a compelling bridge between eras, demonstrating her versatility in both historical and contemporary contexts. The juxtaposition of Grieg’s lush Romanticism and Montgomery’s dynamic modernity underscores the PSO’s commitment to presenting programs that are intellectually stimulating and musically exhilarating.

Rounding out the program, conductor Kenneth T. Bean will lead the orchestra in Ludwig van Beethoven’s Symphony No. 2 in D Major, Op. 36. Beethoven’s second symphony, composed during a period of personal upheaval, captures both optimism and experimentation, offering musicians and audiences alike a chance to explore the early Romantic spirit in its full orchestral scope. Bean’s direction, coupled with the ensemble’s precise articulation, ensures that each movement resonates with clarity, energy, and emotional weight, making this concert experience deeply immersive.

These performances not only highlight Michelle Cann’s extraordinary artistry but also reflect the Princeton Symphony Orchestra’s ongoing dedication to presenting diverse programming that balances established masterpieces with contemporary voices. For classical music enthusiasts, these concerts offer a rare opportunity to witness a performer equally at home in Romantic piano literature and modern, socially conscious works. Cann’s interpretive insight, combined with the PSO’s rich orchestral palette, promises an unforgettable musical journey.

Patrons attending the Richardson Auditorium shows will also notice the broader cultural significance of Cann’s work. Her dedication to amplifying underrepresented composers, particularly African American women like Florence Price, adds a layer of historical and social awareness to the evening’s program. This performance becomes more than a musical event—it is a celebration of artistry, heritage, and the evolving narrative of classical music in America.

For those planning a cultural outing in New Jersey, this engagement with Michelle Cann is not only an opportunity to hear world-class performance but also a chance to connect with the vibrant classical music scene thriving across the state. Music lovers can explore other regional offerings and deepen their appreciation for live performance through Explore New Jersey’s music section, where local concerts, artist spotlights, and event listings showcase the richness of the state’s artistic community.

As February approaches, tickets for the Princeton Symphony Orchestra performances featuring Michelle Cann are expected to move quickly. Whether drawn by the Romantic grandeur of Grieg, the contemporary textures of Montgomery, or the timeless brilliance of Beethoven, attendees can expect a night of artistry, inspiration, and musical excellence that will resonate long after the final note. This February, Princeton becomes a destination for those eager to experience the interplay of tradition and innovation at the highest level of performance.
