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DTSTART;TZID=America/New_York:20260123T080000
DTEND;TZID=America/New_York:20260215T170000
DTSTAMP:20260418T022204
CREATED:20260119T130207Z
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SUMMARY:Kim’s Convenience
DESCRIPTION:김씨네 편의점\n\n\n\nA Neighborhood Story Takes Center Stage as McCarter Theatre Celebrates Korean Culture Through Community Partnership \n\n\n\n\n\n\n\n\n\nWhen McCarter Theatre opens the doors to its Berlind Theatre this winter\, it will not simply be raising the curtain on a beloved play. It will be creating a broader cultural moment that extends well beyond the stage\, rooted in local connection\, shared heritage\, and the lived experiences of New Jersey’s diverse communities. From January 23 through February 15\, 2026\, McCarter will present Kim’s Convenience\, the acclaimed stage work by Ins Choi that inspired the global Netflix phenomenon\, while simultaneously deepening its community ties through a meaningful partnership with Woo Ri Mart\, the longtime family-owned Korean grocery store based in West Windsor. \n\n\n\nThe collaboration reflects a growing emphasis at McCarter on storytelling that resonates both artistically and culturally. Kim’s Convenience centers on the Kim family\, Korean immigrants who operate a small neighborhood convenience store\, and explores generational divides\, identity\, economic pressure\, and the quiet heroism of everyday life. By partnering with Woo Ri Mart\, McCarter is grounding the production in the real-world experiences that mirror the play’s narrative\, inviting audiences to engage not just as ticket holders\, but as neighbors. \n\n\n\nFor many patrons\, the story of Kim’s Convenience feels instantly familiar. At the heart of the play is Appa\, the stubborn but deeply loving patriarch who has poured his life into the family store\, believing it to be both his legacy and his bridge to the future. As outside developers circle and family relationships strain under the weight of unspoken expectations\, humor and tenderness collide in a story that balances laugh-out-loud moments with emotional honesty. The play runs a brisk 90 minutes with no intermission\, allowing the narrative to unfold with momentum and intimacy. \n\n\n\nThis production arrives at McCarter with considerable pedigree. Originally developed and premiered in Toronto\, Kim’s Convenience became a theatrical success long before it was adapted for television. Its transition to the small screen introduced millions to the Kim family\, but the stage version retains a unique immediacy\, allowing audiences to feel the rhythms of the store\, the silences between conversations\, and the cultural nuances that can sometimes be softened in translation to television. The production is presented by McCarter Theatre in collaboration with Soulpepper Theatre Company and Adam Blanshay Productions\, in association with American Conservatory Theater\, underscoring its national significance. \n\n\n\nDirection for this run is by Weyni Mengesha\, whose work has been widely praised for its sensitivity and clarity in handling stories rooted in cultural specificity while speaking to universal themes. Under her guidance\, the Berlind Theatre becomes an extension of the neighborhood corner store at the center of the play\, a space where humor\, conflict\, and affection coexist in equal measure. \n\n\n\nAdding to the excitement surrounding the production\, McCarter has announced additional performances due to strong early demand. Tuesday evening shows have been added on February 3 and February 10\, both beginning at 7:30 pm\, expanding access for audiences eager to experience the production. Select performances will feature James Yi in the role of Appa\, including afternoon and morning matinees that are expected to draw a wide cross-section of theatergoers. \n\n\n\nThe partnership with Woo Ri Mart elevates the experience beyond the auditorium. As a trusted fixture in West Windsor\, the grocery store represents the kind of family-run business that anchors communities and preserves cultural traditions across generations. By aligning with Woo Ri Mart\, McCarter is acknowledging the real-life counterparts to the fictional Kim family and creating opportunities for cultural exchange\, education\, and celebration around the production. For audiences\, this connection reinforces the authenticity of the story unfolding on stage. \n\n\n\nThis approach reflects a broader trend within New Jersey’s performing arts landscape\, where theaters are increasingly serving as hubs for civic engagement and cultural dialogue. McCarter’s willingness to extend the reach of Kim’s Convenience into the surrounding community aligns with the spirit found throughout the state’s vibrant arts scene\, as highlighted across Explore New Jersey’s coverage of local performance and culture within its theatre and performing arts section. The result is an experience that feels both intimate and expansive\, honoring a specific cultural story while welcoming audiences of all backgrounds. \n\n\n\nKim’s Convenience ultimately asks timely questions about legacy\, belonging\, and the cost of holding on in a rapidly changing world. As redevelopment pressures mount and generational values collide\, the Kim family’s story reflects the challenges faced by countless families across New Jersey and beyond. McCarter Theatre’s presentation ensures those questions are explored with warmth\, humor\, and respect\, while its partnership with Woo Ri Mart grounds the production in the lived reality of the community it represents. \n\n\n\nWhen the lights dim at the Berlind Theatre this winter\, audiences will not just be watching a play that inspired a television hit. They will be stepping into a shared cultural space where storytelling\, community\, and heritage intersect\, reaffirming McCarter Theatre’s role as one of New Jersey’s most vital artistic institutions.
URL:https://explorenewjersey.org/event/kims-convenience-%ea%b9%80%ec%94%a8%eb%84%a4-%ed%8e%b8%ec%9d%98%ec%a0%90/
LOCATION:McCarter Theatre Center\, 91 University Place\, Princeton\, NJ\, Princeton\, New Jersey\, 08540\, United States
CATEGORIES:Theatre
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260206T180000
DTEND;TZID=America/New_York:20260208T233000
DTSTAMP:20260418T022204
CREATED:20251103T104819Z
LAST-MODIFIED:20251103T104827Z
UID:66273-1770400800-1770593400@explorenewjersey.org
SUMMARY:44th Bi-Annual New Jersey Film Festival
DESCRIPTION:New Jersey Film Festival Returns in 2026 with Expanded Hybrid Screenings and 45 Premieres Across Multiple Weekends \n\n\n\n\n\n\n\n\n\nThe Garden State’s film community is already buzzing as the 44th Bi-Annual New Jersey Film Festival prepares to roll out the red carpet from January 23 through February 22\, 2026. Presented by the Rutgers Film Co-op and the New Jersey Media Arts Center\, this highly anticipated event will once again blend the best of both worlds with a hybrid format\, offering audiences the flexibility to enjoy screenings either in person at Rutgers University in New Brunswick or online through a video-on-demand platform. \n\n\n\nFor more than four decades\, the New Jersey Film Festival has served as a cornerstone of independent cinema in the state\, spotlighting groundbreaking filmmakers\, daring new voices\, and powerful storytelling that transcends borders. The upcoming winter edition promises to be one of its most ambitious yet\, featuring 45 diverse films\, including New Jersey and regional premieres\, exclusive screenings\, and special guest appearances from filmmakers and industry professionals. \n\n\n\nAmong the standout titles slated for screening are B.F. Skinner Plays Himself\, Arrested at Delaney Hall\, Portrait of a Monastery\, ANDA\, Don’t Look in the Dark\, The Shoshani Riddle\, and Sum Function. Two documentaries\, Mama’s Voice and Zinema\, will also shed light on the human impact of the Russian invasion of Ukraine—illustrating the festival’s ongoing commitment to socially conscious and globally resonant storytelling. \n\n\n\nEach festival weekend will showcase an eclectic mix of narrative features\, documentaries\, shorts\, and experimental works\, giving audiences an opportunity to discover fresh perspectives and emerging talent from around the world. Both film lovers and casual viewers can expect an immersive experience that highlights innovation\, creativity\, and the emotional depth of modern cinema. \n\n\n\nThe hybrid structure allows ticket holders to tailor their festival experience. Online screenings will be available for 24 hours on their designated show dates\, while in-person showings will take place on select Fridays\, Saturdays\, and Sundays throughout the festival’s run. General admission is priced at $15 per program\, $10 for students attending in person\, and $120 for an All-Access Pass\, which grants entry to all screenings—both virtual and live. \n\n\n\nBeyond the films\, the festival will also host two free filmmaking workshops that provide invaluable insight into the art and business of moviemaking. “The Film Business” session will be held on February 1\, offering guidance for aspiring filmmakers navigating the industry\, while the “Intro to Filmmaking” workshop on February 15 is designed to help beginners understand the essentials of storytelling through film. Space for these workshops is limited\, and advance registration is required. \n\n\n\nThe New Jersey Film Festival has long been recognized as a vital platform for independent creators\, giving them the opportunity to connect directly with audiences\, critics\, and fellow artists. Each year\, the festival draws participants from across the country and abroad\, reinforcing New Jersey’s reputation as a thriving hub for arts and culture. \n\n\n\nWith its mix of virtual access\, local engagement\, and an ever-expanding roster of talent\, the 2026 edition reaffirms the festival’s dedication to accessibility and creative excellence. As it celebrates more than 40 years of cinematic tradition\, the event continues to evolve with technology while maintaining its intimate\, community-centered spirit. \n\n\n\nTo stay up to date on film festivals and arts events happening throughout the state\, visit Explore New Jersey’s Film Festivals section for the latest updates\, event coverage\, and insider previews of New Jersey’s growing film scene. \n\n\n\nTo buy screening tickets click on this link: https://watch.eventive.org/newjerseyfilmfestivalspring2026 \n\n\n\nTo buy an All Access Pass click on this link: https://newjerseyfilmfestivalspring2026.eventive.org/passes/buy
URL:https://explorenewjersey.org/event/44th-bi-annual-new-jersey-film-festival-3/
LOCATION:Rutgers Film Co-op/New Jersey Media Arts Center\, 4170 Academic Building - 15 Seminary Place\, New Brunswick\, New Jersey\, 08901-8525\, United States
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ORGANIZER;CN="Rutgers University Program in Cinema Studies":MAILTO:NJMAC12@gmail.com
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DTSTART;TZID=America/New_York:20260206T190000
DTEND;TZID=America/New_York:20260215T233000
DTSTAMP:20260418T022204
CREATED:20260110T151500Z
LAST-MODIFIED:20260110T151515Z
UID:76666-1770404400-1771198200@explorenewjersey.org
SUMMARY:Hand Me Down the Silver Trumpet
DESCRIPTION:Rutgers–Camden Theater Opens 2026 with Celebration of Jazz\, Blues\, and African American Musical Legacy \n\n\n\n\n\n\n\n\n\nThe Rutgers–Camden Theater begins 2026 with a captivating tribute to the rich history of African American music. Kenneth Elliott’s production\, Hand Me Down the Silver Trumpet\, honors the pioneering artists of the 1920s and 1930s who recorded “race records” for the Victor Talking Machine Company\, preserving a legacy of blues\, jazz\, and spirituals that continues to resonate today. \n\n\n\nThis dynamic production brings together an ensemble of talented students\, alumni\, and special guest performers\, accompanied by a swinging live band that channels the vibrant energy of the era. Audiences can expect an immersive experience that not only showcases timeless classics but also celebrates the cultural significance of these early recordings\, which played a critical role in shaping American music and influencing generations of artists. \n\n\n\nHand Me Down the Silver Trumpet highlights the artistry\, innovation\, and resilience of musicians whose contributions often went unrecognized in their time. Through careful curation of songs\, storytelling\, and live performance\, the show transports audiences to the heart of 1920s and 30s American music scenes\, from smoky clubs to the recording studios that captured the sounds of the era. \n\n\n\nThe Rutgers–Camden Theater continues to position itself as a hub for transformative performances\, offering productions that connect audiences with both history and contemporary artistry. By featuring works like Elliott’s\, the theater underscores its commitment to diversity in programming while also educating the community about the profound cultural impact of African American musicians. Those interested in exploring more about local theater and performing arts in the region can discover additional offerings and events through theatre in New Jersey. \n\n\n\nAs this production opens the new year\, it not only celebrates musical heritage but also inspires a renewed appreciation for the stories and sounds that shaped the cultural landscape. By merging historical tribute with live performance\, Rutgers–Camden invites theatergoers to experience the enduring spirit of American music and the artists whose voices continue to echo across generations.
URL:https://explorenewjersey.org/event/hand-me-down-the-silver-trumpet/
LOCATION:Walter K. Gordon Theater\, 314 Linden Street\, Camden\, New Jersey\, 08102\, United States
CATEGORIES:Music,Theatre
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ORGANIZER;CN="Rutgers-Camden Theater Program":MAILTO:vmpa@camden.rutgers.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260207T080000
DTEND;TZID=America/New_York:20260207T170000
DTSTAMP:20260418T022204
CREATED:20260119T155521Z
LAST-MODIFIED:20260119T175716Z
UID:77584-1770451200-1770483600@explorenewjersey.org
SUMMARY:Magnificent Bird / Book of Travelers
DESCRIPTION:Two Song Cycles written and performed by Gabriel Kahane\n\n\n\nGabriel Kahane Brings Dual Musical Journeys to Alexander Kasser Theater This February \n\n\n\n\n\n\n\n\n\nThe Alexander Kasser Theater is set to host an extraordinary day of music and storytelling on Saturday\, February 7\, 2026\, as acclaimed composer and performer Gabriel Kahane presents two of his most celebrated works\, Magnificent Bird and Book of Travelers. With performances at 4 p.m. and 7 p.m.\, audiences have the unique opportunity to experience two intimate solo musical plays in a single day\, showcasing Kahane’s distinctive blend of songwriting\, narrative\, and theatricality. \n\n\n\nMagnificent Bird\, opening the afternoon program\, offers a deeply personal meditation on a year the artist spent entirely off the grid. During this period of self-imposed isolation\, Kahane challenged himself to write a song every day\, crafting a collection that reflects both introspection and the wider currents of global upheaval. Contributions from luminaries such as Andrew Bird\, Chris Thile\, Amelia Meath of Sylvan Esso\, and Pulitzer Prize-winning composer Caroline Shaw enrich the work\, producing a soundscape that is at once delicate\, urgent\, and profoundly human. With a runtime of 74 minutes and no intermission\, the performance invites audiences to engage with a vivid portrait of solitude\, creativity\, and resilience in uncertain times\, offering a musical lens on contemporary life. \n\n\n\nThe evening program features Book of Travelers\, a 70-minute journey across the United States that explores the intersections of identity\, community\, and personal connection. Drawing from encounters on a 9\,000-mile train journey\, Kahane weaves together stories of the strangers he meets with intricate compositions that blend folk\, classical\, and pop influences. The work captures the subtle tensions and unexpected beauty of modern America\, transforming the simple act of travel into an intimate exploration of place\, people\, and the evolving landscape of the nation. Both works are performed without intermission\, providing a continuous and immersive theatrical experience for audiences seeking an emotionally resonant and musically complex encounter. \n\n\n\nKahane’s reputation as a songwriter and storyteller is well established. The New Yorker has called him “one of the finest songwriters of the day\,” a distinction reflected in his multifaceted career spanning theater\, concert halls\, and club venues. Recent highlights include a return to the New York stage at Playwrights Horizons during the 2024–25 season\, performances across Europe and the United States with collaborator Caroline Shaw\, and premieres of new compositions including a clarinet concerto for Anthony McGill. Kahane’s work often defies categorization\, blending literary depth\, intricate musicality\, and an expansive collaborative spirit that ranges from Phoebe Bridgers and Paul Simon to the Danish String Quartet and Roomful of Teeth. \n\n\n\nBoth Magnificent Bird and Book of Travelers showcase Kahane’s ability to merge narrative and music into a singular theatrical experience. Each piece offers its own lens on human experience—one introspective\, the other outward-looking—but together they create a rare opportunity to witness the full range of Kahane’s creative vision. Audiences attending both performances can expect a day of rich storytelling\, sophisticated musical arrangements\, and the kind of artistry that elevates the concert stage into an intimate theater of emotion and reflection. \n\n\n\nFor theatergoers eager to explore the intersection of music and narrative\, this double performance provides an ideal introduction to contemporary American song-theater. Tickets are available for each show individually or for a combined day pass\, allowing patrons to fully immerse themselves in Gabriel Kahane’s world of lyrical storytelling and inventive composition. For those interested in broader theatrical programming and events across New Jersey\, coverage and listings of live performances can be found through dedicated New Jersey theatre resources. \n\n\n\nWith its combination of introspection\, travel\, and collaboration\, Gabriel Kahane’s dual performances at the Alexander Kasser Theater promise a compelling and memorable artistic experience\, inviting audiences to reflect on the personal and societal landscapes that shape modern life through the power of music and story.
URL:https://explorenewjersey.org/event/magnificent-bird-book-of-travelers/
LOCATION:Alexander Kasser Theater\, 1 Normal Ave Hall\, Suite 171\, Montclair\, New Jersey\, 07043\, United States
CATEGORIES:Concerts,Music
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260207T120000
DTEND;TZID=America/New_York:20260207T130000
DTSTAMP:20260418T022204
CREATED:20260129T182705Z
LAST-MODIFIED:20260129T182736Z
UID:78873-1770465600-1770469200@explorenewjersey.org
SUMMARY:Milk & Cookies Series The Bilingual Birdies Duo Band
DESCRIPTION:A Morning of Music\, Movement\, and Imagination: Bilingual Birdies Brings a Joyful Theatre Experience to New Jersey Families \n\n\n\n\n\n\n\n\n\nOn a crisp February morning\, the State Theatre New Jersey will fill not with the hush of a traditional performance\, but with laughter\, rhythm\, and the delighted energy of children discovering live theater for the very first time. The Bilingual Birdies Duo Band is arriving for a special edition of the beloved Milk & Cookies Music & Storytelling Series\, transforming the theater’s studio space into a colorful Latin American adventure where families sing\, dance\, and learn together. \n\n\n\nThis isn’t simply a children’s concert. It’s an immersive\, intergenerational experience carefully designed to spark curiosity\, celebrate culture\, and encourage early language learning through music and play. The Bilingual Birdies Duo Band combines the talents of New York City’s top Latin musicians\, puppeteers\, and early childhood educators to create a performance that feels part concert\, part storytelling journey\, and part tropical dance party. The result is a morning where little ones aren’t just watching a show; they’re participating in it\, clapping along\, spinning to cumbia beats\, and absorbing Spanish vocabulary without even realizing they’re learning. \n\n\n\nThe program is presented in two morning performances\, offering families flexibility in planning their weekend outing. Each show is crafted specifically for children ages three to eight\, but the design intentionally draws in parents\, grandparents\, and caregivers as well. That shared experience is part of the magic. Adults aren’t relegated to the sidelines; they become part of the rhythm\, the laughter\, and the discovery unfolding in front of them. \n\n\n\nMilk & Cookies has become a cherished tradition at the venue\, introducing young audiences to the wonder of live theater in a relaxed\, welcoming setting. After the performance\, each child is treated to a cookie and a carton of milk\, a simple touch that turns the outing into a full experience rather than a quick stop. For many families\, it becomes a first theatre memory that children carry long after the last song ends. \n\n\n\nWhat makes this event especially meaningful is its inclusive design. The later performance is a sensory-friendly presentation\, thoughtfully created for children on the autism spectrum or those with sensory sensitivities. The theater modifies lighting and sound levels to reduce anxiety\, creating a calmer atmosphere without sacrificing the vibrancy of the show. Families are welcomed into a judgment-free environment where children are free to move\, make noise\, or take breaks as needed. \n\n\n\nA dedicated quiet space with soft seating\, fidget toys\, and calming activities is available for those moments when overstimulation hits. Weighted blankets and headphones can be requested\, and staff and volunteers trained in sensory-friendly practices are present throughout the experience. Families also receive a social story in advance\, allowing children to understand what to expect before stepping through the doors. These details may seem small\, but for parents navigating sensory challenges\, they can make the difference between skipping live events altogether and finally enjoying one together. \n\n\n\nBeyond the thoughtful accommodations\, the performance itself is bursting with joyful intention. The storylines encourage cultural appreciation\, the music pulses with lively percussion and warm melodies\, and the puppetry adds visual storytelling that keeps even the youngest audience members engaged. It’s an invitation to celebrate diversity through sound\, movement\, and shared play\, reinforcing the idea that language and culture are bridges\, not barriers. \n\n\n\nNew Jersey’s theatre scene has always been known for innovation and accessibility\, and events like this underscore how the state continues to lead in family-focused programming. Those looking to explore more of the region’s live performance offerings can discover additional productions and venues through Explore New Jersey’s theatre guide\, a resource that highlights the full breadth of stage experiences across the Garden State. \n\n\n\nFor families searching for a meaningful weekend outing\, this event offers more than entertainment. It offers connection. A chance for children to experience the thrill of live performance. A chance for parents to watch confidence bloom in real time. And a chance for everyone in the room to leave humming a tune in two languages\, carrying a little more rhythm\, curiosity\, and joy into the day. \n\n\n\nWhen the music starts and the first beat of cumbia fills the studio\, it won’t just be another children’s show. It will be a shared celebration of imagination\, inclusion\, and the simple magic of learning through play. ¡Vamos a bailar!
URL:https://explorenewjersey.org/event/the-bilingual-birdies-duo-band/
LOCATION:State Theatre New Jersey\, 15 Livingston Avenue \, NJ\, New Brunswick\, NJ\, 08901\, United States
CATEGORIES:Concerts,Music,Theatre
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ORGANIZER;CN="State Theatre New Jersey":MAILTO:Info@stnj.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260207T160000
DTEND;TZID=America/New_York:20260208T233000
DTSTAMP:20260418T022204
CREATED:20260123T170739Z
LAST-MODIFIED:20260123T170800Z
UID:78135-1770480000-1770593400@explorenewjersey.org
SUMMARY:No One is Forgotten: An Immersive Opera Drama
DESCRIPTION:“No One is Forgotten”: Princeton Brings an Immersive Opera Drama into the Heart of New Jersey Arts \n\n\n\n\n\n\n\n\n\nPrinceton’s Lewis Center for the Arts is poised to challenge audience expectations and redefine the boundaries of theatrical storytelling with its upcoming presentation of No One is Forgotten: An Immersive Opera Drama. Scheduled for February 7 at 7:00 pm and February 8 at 2:30 pm at the Wallace Theater\, this groundbreaking work-in-progress promises a sensory and emotional journey that merges music\, theatre\, and immersive sound design in ways rarely seen on New Jersey stages. \n\n\n\nThe production is part of the Program in Theater & Music Theater’s commitment to nurturing innovative performance projects\, offering the public a chance to witness a work in development that is both experimental and profoundly human. No One is Forgotten follows Lali and Beng\, a journalist and an aid worker\, who find themselves held in captivity. With no one knowing their whereabouts or safety\, their survival depends on their bond\, resilience\, and the small moments of hope they create together. The drama blends spoken performance with operatic vocalization\, cello accompaniment\, and intricate theatrical foley\, constructing a soundscape that envelops audiences directly into the characters’ confined world. \n\n\n\nThe creators of the piece—playwright Winter Miller\, co-composers Paola Prestini and Sxip Shirey—designed the work to explore dualities: captivity and freedom\, fear and hope\, despair and laughter. Rather than relying on a conventional cast\, the production uses two actors and two vocalists to explore the tension between physical imprisonment and emotional escape through music. Audiences are drawn into a narrative that is at once moving\, surprisingly humorous\, and deeply resonant with contemporary struggles\, from the perils facing journalists abroad to broader questions about captivity in society\, including forced detainment\, trafficking\, and family separations at borders. \n\n\n\nMiller’s original inspiration stems from observing the growing risks journalists face globally\, highlighting the urgency of storytelling as a tool for advocacy and awareness. By blending operatic performance with immersive sound techniques\, the production not only dramatizes survival but invites the audience to reflect on their own experiences of constraint and resilience. Each note\, each sound effect\, and every foley element is carefully calibrated to place viewers inside the psychological and emotional reality of those enduring extreme circumstances. \n\n\n\nThis project benefits from the Princeton Humanities Council’s Magic Project funding\, supported by the David A. Gardner ’69 Magic Grant\, and is produced in collaboration with the Lewis Center for the Arts. The presentation also emphasizes accessibility and audience engagement. The Wallace Theater is fully wheelchair accessible and equipped with assistive listening technology\, ensuring that the immersive experience reaches as many participants as possible. \n\n\n\nIn addition to the performances\, February 8 will feature a panel discussion titled “What Art Can Do That Journalism Cannot\,” featuring insights from Eliza Griswold\, Director of Princeton’s Program in Journalism\, and Aleksandar Hemon\, Professor of Creative Writing. This dialogue promises to deepen audience understanding of how art and storytelling intersect with the realities of global conflict\, freedom\, and advocacy. \n\n\n\nTickets for No One is Forgotten are free but require advance reservation through University Ticketing\, ensuring a welcoming\, organized environment for the performances. Directions to the Wallace Theater are straightforward: enter the Lewis Arts complex through the main Forum-level doors opposite the Princeton NJ Transit Station and Wawa\, where all other doors remain locked on weekends. \n\n\n\nThe creative team behind this ambitious work represents some of the finest talent in contemporary theater and music. Alongside Miller\, Prestini\, and Shirey\, the production features direction by Elena Araoz\, music direction by Mila Henry\, and sound design led by Lucas Corrubia. Stage management\, lighting\, and production coordination are handled by a team committed to bringing this immersive vision to life\, ensuring that every technical and artistic element contributes to the audience’s full engagement. \n\n\n\nPerformers include Ellen McLaughlin and Amelia Workman in spoken roles\, with Eve Gigliotti and Brandie Inez Sutton providing operatic vocals. The musical environment is further enriched by the contributions of cellists Jeffrey Zeigler and Mark Serkin\, along with expert foley artistry by Nathan Repasz. This combination of talent and technical ingenuity underscores the production’s innovative approach to storytelling\, where sound\, movement\, and voice converge to create an unforgettable theatrical experience. \n\n\n\nFor those looking to expand their cultural exploration beyond traditional stage offerings\, Princeton’s presentation is a rare opportunity to witness a work that merges opera\, theater\, and immersive sound into a singular\, transformative experience. Audiences eager to engage with experimental theater in New Jersey can explore additional offerings through Princeton’s vibrant [theatre] programs\, connecting with a broader landscape of performance that continues to push creative boundaries and challenge perceptions. \n\n\n\nBy presenting No One is Forgotten\, the Lewis Center for the Arts demonstrates that New Jersey is not only a hub for established artistic performance but also a laboratory for pioneering works that speak to contemporary issues\, human resilience\, and the enduring power of storytelling to transform understanding. \n\n\n\nCreative Team \n\n\n\nPlaywright & Librettist: Winter MillerCo-composer & Orchestrations: Paola PrestiniCo-composer & Underscoring: Sxip ShireyDirector: Elena AraozMusic Director & Conductor: Mila HenryFoley Design & Sound Effects: Sxip ShireySound Design: Lucas CorrubiaLighting Design: Jenna Mullin ’27Creative Producer & Co-Executive Producer: Eve GigliottiExecutive Producer: Cath BrittanStage Manager: Rose TablizoAsst. Sound Design: E.M. JimenezAsst. Sound Design: Jon McCarthy \n\n\n\nPerforming Artists\n\n\n\nBeng (spoken): Ellen McLaughlinBeng (sung): Eve GigliottiLali (spoken): Amelia WorkmanLali (sung):Brandie Inez SuttonCello: Jeffrey ZeiglerFoley Arts: Nathan RepaszCello (cover): Mark SerkinRehearsal Pianist: Nathaniel LaNasa \n\n\n\nOriginal Opera Drama Co-commissioned by The Dallas Opera\, Emitha/Lexicon Classics & Eve Gigliotti
URL:https://explorenewjersey.org/event/no-one-is-forgotten-an-immersive-opera-drama/
LOCATION:<a href="https://arts.princeton.edu/about/venues-studios/lewis-arts-complex/wallace-theater/">Wallace Theater – Lewis Center for the Arts</a>\, 122 Alexander St\, Princeton\, New Jersey\, 08544\, United States
CATEGORIES:Theatre
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ORGANIZER;CN="Lewis Center":MAILTO:LewisCenter@princeton.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260207T180000
DTEND;TZID=America/New_York:20260208T233000
DTSTAMP:20260418T022204
CREATED:20260120T165826Z
LAST-MODIFIED:20260120T165841Z
UID:77640-1770487200-1770593400@explorenewjersey.org
SUMMARY:Beethoven & Grieg Featuring Michelle Cann
DESCRIPTION:Grammy-Winning Pianist Michelle Cann Brings Virtuosity to Princeton Symphony Orchestra This February \n\n\n\n\n\n\n\n\n\nThis February\, the Princeton Symphony Orchestra will welcome one of the most dynamic and versatile pianists performing today. Two-time GRAMMY Award winner Michelle Cann\, widely recognized for her advocacy of Florence Price’s works and her mastery across a broad repertoire\, will take center stage in Richardson Auditorium for two performances on February 7 and 8. Audiences can anticipate a program that fuses mid-Romantic brilliance with contemporary innovation\, showcasing Cann’s signature depth of interpretation and technical command. \n\n\n\nCann will perform Edvard Grieg’s iconic Piano Concerto in A Minor\, Op. 16\, a work renowned for its dramatic sweep and lyrical melodies. The concerto remains one of the pillars of Romantic piano literature\, demanding both expressive nuance and virtuosic agility. Cann’s engagement with this repertoire promises to illuminate the concerto in ways that honor its historical significance while highlighting her own distinctive voice. Critics have consistently praised her ability to balance power and sensitivity\, bringing the score alive with vibrant phrasing and intricate detail. \n\n\n\nThe evening will also feature Jessie Montgomery’s Records from a Vanishing City\, a contemporary work by the 2024 GRAMMY® recipient. Montgomery’s music blends classical tradition with elements of jazz\, folk\, and urban soundscapes\, offering a modern narrative that resonates with today’s audiences. Cann’s presence on the program provides a compelling bridge between eras\, demonstrating her versatility in both historical and contemporary contexts. The juxtaposition of Grieg’s lush Romanticism and Montgomery’s dynamic modernity underscores the PSO’s commitment to presenting programs that are intellectually stimulating and musically exhilarating. \n\n\n\nRounding out the program\, conductor Kenneth T. Bean will lead the orchestra in Ludwig van Beethoven’s Symphony No. 2 in D Major\, Op. 36. Beethoven’s second symphony\, composed during a period of personal upheaval\, captures both optimism and experimentation\, offering musicians and audiences alike a chance to explore the early Romantic spirit in its full orchestral scope. Bean’s direction\, coupled with the ensemble’s precise articulation\, ensures that each movement resonates with clarity\, energy\, and emotional weight\, making this concert experience deeply immersive. \n\n\n\nThese performances not only highlight Michelle Cann’s extraordinary artistry but also reflect the Princeton Symphony Orchestra’s ongoing dedication to presenting diverse programming that balances established masterpieces with contemporary voices. For classical music enthusiasts\, these concerts offer a rare opportunity to witness a performer equally at home in Romantic piano literature and modern\, socially conscious works. Cann’s interpretive insight\, combined with the PSO’s rich orchestral palette\, promises an unforgettable musical journey. \n\n\n\nPatrons attending the Richardson Auditorium shows will also notice the broader cultural significance of Cann’s work. Her dedication to amplifying underrepresented composers\, particularly African American women like Florence Price\, adds a layer of historical and social awareness to the evening’s program. This performance becomes more than a musical event—it is a celebration of artistry\, heritage\, and the evolving narrative of classical music in America. \n\n\n\nFor those planning a cultural outing in New Jersey\, this engagement with Michelle Cann is not only an opportunity to hear world-class performance but also a chance to connect with the vibrant classical music scene thriving across the state. Music lovers can explore other regional offerings and deepen their appreciation for live performance through Explore New Jersey’s music section\, where local concerts\, artist spotlights\, and event listings showcase the richness of the state’s artistic community. \n\n\n\nAs February approaches\, tickets for the Princeton Symphony Orchestra performances featuring Michelle Cann are expected to move quickly. Whether drawn by the Romantic grandeur of Grieg\, the contemporary textures of Montgomery\, or the timeless brilliance of Beethoven\, attendees can expect a night of artistry\, inspiration\, and musical excellence that will resonate long after the final note. This February\, Princeton becomes a destination for those eager to experience the interplay of tradition and innovation at the highest level of performance.
URL:https://explorenewjersey.org/event/beethoven-grieg-featuring-michelle-cann/
LOCATION:McCarter Theatre Center\, 91 University Place\, Princeton\, NJ\, Princeton\, New Jersey\, 08540\, United States
CATEGORIES:Concerts,Music
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ORGANIZER;CN="Princeton Symphony Orchestra":MAILTO:info@princetonsymphony.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260207T190000
DTEND;TZID=America/New_York:20260207T233000
DTSTAMP:20260418T022204
CREATED:20260128T002140Z
LAST-MODIFIED:20260128T002154Z
UID:78635-1770490800-1770507000@explorenewjersey.org
SUMMARY:The New Jersey Symphony 2026 Lunar New Year Celebration
DESCRIPTION:New Jersey Symphony Ignites Lunar New Year Magic with Year of the Horse Spectacular in Newark \n\n\n\n\n\n\n\n\n\nPrudential Hall Becomes the State’s Cultural Epicenter for a Dazzling Lunar New Year Celebration \n\n\n\nNew Jersey’s arts calendar is about to welcome one of its most electrifying nights of the year. On February 7\, 2026\, the New Jersey Symphony will transform Newark’s Prudential Hall into a radiant hub of tradition\, performance\, and cultural pride with a grand Lunar New Year celebration honoring the Year of the Horse. Designed to thrill longtime symphony patrons and first-time attendees alike\, the evening promises a powerful blend of orchestral brilliance\, festive pageantry\, and community connection that reflects the evolving cultural heartbeat of the Garden State. \n\n\n\nThis highly anticipated event goes far beyond a typical concert program. The New Jersey Symphony will anchor the night with sweeping musical performances that merge classical mastery with thematic storytelling inspired by Lunar New Year traditions. The result is an immersive experience where heritage and modern artistry converge\, offering audiences a dynamic and meaningful way to welcome the new year. \n\n\n\nAdding a pulse of visual excitement to the celebration\, the Edison Chinese School Lion Dance Team will bring centuries-old performance tradition to life. Their appearance delivers vibrant color\, rhythmic movement\, and symbolic energy believed to invite prosperity\, luck\, and joy for the year ahead. The lion dance has long been a centerpiece of Lunar New Year festivities around the world\, and its presence on the Prudential Hall stage transforms the concert into a living cultural festival rather than a seated performance alone. \n\n\n\nThe Year of the Horse carries powerful symbolism across East Asian traditions\, representing vitality\, confidence\, ambition\, and momentum. These themes echo through the concert’s artistic vision\, making the evening both a tribute to heritage and a statement about forward motion in New Jersey’s ever-expanding cultural landscape. For Newark\, a city already rich in creative history\, hosting this celebration reinforces its status as a destination for world-class performances and multicultural gatherings. \n\n\n\nFamilies will find the concert especially welcoming. The program is crafted to engage children\, introduce new audiences to orchestral music\, and foster shared cultural experiences that resonate across generations. It’s an invitation not only to witness exceptional performance\, but to participate in a moment of collective celebration that bridges communities through sound\, movement\, and tradition. \n\n\n\nThe New Jersey Symphony’s commitment to inclusive programming continues to broaden access to global artistry while strengthening local identity. Events like this Lunar New Year spectacular highlight how the state’s performing arts institutions are evolving to reflect the diversity\, creativity\, and cultural curiosity of modern New Jersey. \n\n\n\nAs February approaches\, anticipation continues to build for a night where orchestral grandeur meets festive tradition\, where Newark shines as a beacon of celebration\, and where the Year of the Horse begins with energy and grace. \n\n\n\nFor those eager to explore more live performances and cultural experiences across the state\, discover New Jersey’s thriving music scene and see how the Garden State continues to set the stage for unforgettable artistic moments.
URL:https://explorenewjersey.org/event/2026-lunar-new-year-celebration/
LOCATION:The New Jersey Performing Arts Center
ATTACH;FMTTYPE=image/jpeg:https://explorenewjersey.org/wp-content/uploads/2026/01/2026-LNY-Celebration-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260207T200000
DTEND;TZID=America/New_York:20260207T233000
DTSTAMP:20260418T022204
CREATED:20260203T200326Z
LAST-MODIFIED:20260203T200423Z
UID:79385-1770494400-1770507000@explorenewjersey.org
SUMMARY:Celebrate Mardi Gras with Thaddeus Exposé!
DESCRIPTION:From Bourbon Street to the Garden State: Thaddeus Exposé Brings a Full Mardi Gras Second Line Experience to New Jersey \n\n\n\n\n\n\n\n\n\nNew Jersey’s winter calendar gets a serious dose of heat\, rhythm\, and Crescent City soul when Thaddeus Exposé returns to the stage on Saturday\, February 7\, 2026\, at 7:30 p.m. with a high-energy Mardi Gras celebration built to move both hearts and feet. More than a concert\, this performance is designed as a living tribute to New Orleans tradition—where brass\, swing\, vocals\, and spontaneous joy collide in a sound that feels just as much like a street parade as it does a polished jazz showcase. \n\n\n\nFor audiences across the state who follow New Jersey’s thriving live performance scene through Explore New Jersey’s music coverage\, this event stands out as a rare opportunity to experience an authentic Second Line–inspired production brought to life by musicians deeply rooted in the culture that created it. \n\n\n\nAt the center of the evening is Thaddeus Exposé himself—a native of New Orleans whose life and musical journey mirrors the great lineage of jazz artists who carried the sound of the city northward\, first through Chicago and eventually into the creative engine of New York. Like so many of the pioneers before him\, Exposé has spent his career absorbing\, refining\, and honoring the traditions of the Big Easy while shaping a voice that belongs firmly to the present. \n\n\n\nThat heritage becomes the backbone of the band he leads\, widely known for transforming concert halls into full-scale Mardi Gras celebrations. His ensemble—often performing under the banner of Thaddeus Exposé and the Gumbo Players—draws directly from the spirit of neighborhood parades\, social aid and pleasure clubs\, and the deep-rooted communal energy that defines New Orleans music culture. \n\n\n\nThis New Jersey appearance brings together an all-star lineup of seasoned jazz and soul performers who channel that legacy with technical brilliance and joyful spontaneity. The group features clarinetist Evan Christopher\, saxophonist Marty Eigen\, trumpeters Wallace Roney Jr. and Steven Paul Pilcher\, trombonists Peter Lin and Juanga Lakunza\, pianist Bernard Elliott\, drummers Gordon Lane and Joe Rizzolo\, bassist Thaddeus Exposé\, and vocalist Ayana Lowe. While the exact onstage configuration may shift as the night unfolds\, the collective sound remains focused on one goal—capturing the unmistakable rhythm\, swagger\, and emotional warmth of New Orleans music. \n\n\n\nWhat separates this performance from a traditional jazz concert is the way the music is presented. Rather than remaining seated and structured\, the show intentionally encourages audience movement\, call-and-response moments\, and the joyful chaos that defines a true Second Line experience. In New Orleans\, the Second Line is not simply a style of rhythm—it is a living cultural tradition\, rooted in community\, resilience\, and celebration. It is the soundtrack of street parades\, weddings\, memorials\, and neighborhood gatherings\, where music becomes a shared language between musicians and crowd. \n\n\n\nThaddeus Exposé has built his career around bringing that tradition beyond Louisiana without diluting its meaning. His arrangements reflect the layered musical history of the city—blending early jazz phrasing\, traditional brass band energy\, Caribbean and African rhythmic influence\, blues storytelling\, and the joyful theatricality of Mardi Gras. \n\n\n\nVocals play a major role in shaping the emotional arc of the evening\, and Ayana Lowe’s presence adds an expressive dimension that bridges classic soul\, jazz phrasing\, and modern performance sensibilities. Her voice becomes a guiding force throughout the program\, weaving together exuberant dance numbers and reflective ballads that honor both celebration and heritage. \n\n\n\nInstrumentally\, the ensemble is built for dynamic interaction. Clarinet and saxophone lines glide over rolling drum patterns\, while trumpet and trombone voices answer each other with bright\, punchy phrasing that echoes the sound of street brass bands moving through narrow neighborhood blocks. The piano anchors the harmony\, allowing space for improvisation and playful exchanges between players—an essential ingredient in keeping the performance alive and unpredictable. \n\n\n\nExposé’s role as bassist and bandleader quietly shapes the entire production. His playing locks the rhythm section into a groove that drives the music forward without overpowering the ensemble\, giving the soloists freedom while maintaining the unmistakable pulse that makes New Orleans music instantly recognizable. \n\n\n\nThe cultural story behind the performance is just as important as the music itself. \n\n\n\nRaised in New Orleans\, Thaddeus Exposé grew up surrounded by the traditions of Mardi Gras\, second lines\, and community-based performance. That upbringing instilled not only a musical vocabulary\, but a sense of responsibility—to preserve and share the deeper meaning behind the sound. His later move through Chicago and into New York expanded his musical language\, exposing him to modern jazz structures and diverse stylistic influences\, but his creative identity has always remained anchored to the rhythms and stories of his hometown. \n\n\n\nThis upcoming concert reflects that philosophy. It is designed as a musical journey through the neighborhoods\, parades\, and dance halls of New Orleans—filtered through musicians who understand that tradition as something lived\, not studied. \n\n\n\nFor New Jersey audiences\, the evening offers something refreshingly different from conventional winter programming. Rather than subdued recital-style performances\, this Mardi Gras celebration invites full participation. It encourages clapping\, dancing in the aisles\, and—if the moment feels right—joining an impromptu Second Line inside the venue itself. \n\n\n\nThat spirit of shared experience is what makes this performance especially well-suited to audiences who crave connection as much as technical excellence. Whether you arrive as a longtime jazz enthusiast or simply curious about New Orleans culture\, the show provides an accessible entry point into one of America’s most influential musical traditions. \n\n\n\nThe concert takes place on Saturday\, February 7\, 2026\, at 7:30 p.m. Tickets may be purchased through the box office\, and patrons who prefer to order by phone can call 973-971-3706 for assistance. Ticket prices include a non-refundable three-dollar service fee\, and\, as with any live performance\, program and personnel details are subject to change. \n\n\n\nIn a season when New Jersey stages are often filled with familiar touring acts and tribute productions\, Thaddeus Exposé’s Mardi Gras celebration offers something more immersive—a living\, breathing cultural event rooted in heritage\, community\, and joy. \n\n\n\nFor one winter night\, the sound of Nawlins\, the pulse of parade drums\, and the unmistakable swing of Crescent City brass will travel north and take over a New Jersey stage—inviting everyone in the room to rise\, dance\, and carry the Second Line spirit home with them.
URL:https://explorenewjersey.org/event/celebrate-mardi-gras-with-thaddeus-expose/
LOCATION:Bickford Theatre at Morris Museum\, 6 Normandy Heights Road \, NJ\, Morristown\, New Jersey\, 07960\, United States
CATEGORIES:Concerts,Music
ATTACH;FMTTYPE=image/jpeg:https://explorenewjersey.org/wp-content/uploads/2026/02/ebc821dc-536b-459a-b7c9-e408de8c6189.jpg
ORGANIZER;CN="The Morris Museum":MAILTO:info@morrismuseum.org
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